It's not really a matter of not wanting to hire someone, it's more that it will be difficult to hire a sound guy for a week of straight shooting on a remote island in the Atlantic..at 4 days notice...we have to find something now...we're leaving shortly.
I should mention that while, yes, I do want to get good audio, dialogue only accounts for two of the 30 or so scenes in the film. The dialogue shots are static, and the actors are as well, in those scenes. I need something that I can use for that, and specific environmental audio as well.
I'm going to do a second test, and see how the c 747 sounds again.
I'm sold on the windboss.
I'd like to match it to a quality shotgun & Zepp for outdoor filming.
I should mention that while, yes, I do want to get good audio, dialogue only accounts for two of the 30 or so scenes in the film. The dialogue shots are static, and the actors are as well, in those scenes. I need something that I can use for that, and specific environmental audio as well.
I'm going to do a second test, and see how the c 747 sounds again.
I'm sold on the windboss.
I'd like to match it to a quality shotgun & Zepp for outdoor filming.