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$25/day - that's a steal for a $2000 item. Where are you located?
Thanks Ben that's very helpful.
There's a handful of small sync boxes on, or about to be, the market now, including the UltraSync One which will also supports Genlock.
What makes the Tentacle the most popular? Because they were first to market? If so, what would you buy once they're all available?
In my limited experience with the XDCA, it does an OK job maintaining sync. But even then, I'd want to have an accurate timecode box (and preferably a timecode+genlock box) stuck on the XDCA. My preferred workflow is sound guy/gal provides the master clock (and records master audio tracks...especially if audio-to-camera is over an inexpensive wireless system)...and then a TC box on the camera, perhaps also with a scratch audio mix.
If you have the XDCA providing master TC, you'll still need/want to get that TC back to your soundie, right? So you'll still need a TC box.
Ben, I think you're thought about why Tentacle is so common is right: First to market with a cheap, small TC box. But as you say, now there are a bunch of lower-cost options. Here's an audio dealer's page that lists most of them:
https://www.trewaudio.com/product-category/slates-timecode/slates-timecode-syncgen-boxes/
Tentacles seem fine, though I'm not a big fan of their connectors and built-in batteries. Not saying they're bad, because they're not. But if you only use these things occasionally, one of the boxes with replaceable AAA batteries might be a reasonable way to go to make sure you don't get stuck with dead batteries...BTW- this isn't a FUD thing... Tentacles seem well made...
Me, I have a couple Ambient Lockits (expensivish tc/sync boxes)...But camera folks are spoiled by the tiny and decent Tentacles. So I'll probably be buying...um... I"m not sure. The cool thing to me is that all the new tc boxes appear to be decent at doing their job. And it comes down to the implementation and features that appeals most to you. For example, the UltraSync One is really appealing. But those mini COAX connectors means I'd need to build a new set of cables to work with the various cameras I come across... Not a deal killer, but an extra expense that makes me think a bit (less of an issue if you don't already have tc cables and/or will mostly be working with one or two models of camera). Also, I'm kinda getting along better than I expected without genlock these days. I mean, it's nice, but we've been dealing without it for quite a while now... Sigh, I guess. Also: I do a fair amount of work as a location sound guy, so it's easier for me to justify a bit more money spent on TC gak...
Ben, what appeals most to you?
IronFilm, I recall you considering your options before going with Tentacles. What made you choose those over other choices?
Vintegreo, let us know what you end up doing and how it goes during the shoot and post.
Seems there surely must be... and I say that simply because I have and use the PIX e5 recorder with my FS7 quite a lot - and it can feed TC to it via hdmi & sdi (need to double check the sdi option)...
In the camera menu - there's a way to set up recorder or monitor output and trigger recording of the recorder and have TC on or off... perhaps this could work with TC system (sorry - not familiar with Tentacle... I'm a FCPX user and syncing audio in post has become such a breeze without using TC)