what a fantastic 1st post! you forgot to say please and thanks :smile:
why don't you use the 24p Blackout/Lpowell patch (b.ini) and modify the 1080 GOP from 12 to 15, thats all i did and having great results!
Sorry, I do not like thinking about it
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what a fantastic 1st post! you forgot to say please and thanks :smile:
why don't you use the 24p Blackout/Lpowell patch (b.ini) and modify the 1080 GOP from 12 to 15, thats all i did and having great results!
@ Benibube
Looks very splendorous... but this is the 25p thread, I assume you titled your vimeo wrong? (native 24p?)
Sorry, but that's just not possible, as I explained in my earlier post:...I would 720p from Blackout-Powell Native 24p Patch and 1080p from Fast Action Native 25p Patch TOGETHER! THANK YOU, PLEASE
I've attempted to fine tune the average and maximum bitrates of both the 75Mbps GH1 Peak Performance Patch and the Fast Action Native 25p Patch to produce the highest bitrates that can be recorded with the highest degree of reliability in each case. The Peak Performance Patch was explicitly designed for use with Class 10 SD cards, but can be safely used with many of the fastest Class 6 cards as well. I've tested the Native 25p Patch on both Class 6 and Class 10 SD cards, and have found no additional reliability margin with Class 10 cards that could be used to further increase bitrates.Is it safe to up average and max bitrate for class10 card...
no additional reliability margin with Class 10 cards that could be used to further increase bitrates.
Could you share setup?
My SanDisk Extreme Pro 16GB 45MB / s has arrived
and I tried again the THE SEXY, RELIABLE "NATIVE 25p".
Subjects: Trees and Leaves
With Tripod maximum recording time 20 seconds, then crash.
Usually after a few seconds.
Without a tripod, it looks better.
I took two shots over 30 seconds but has gotten even crashes.
For these shots I used Lumix 14-45. Aperture F3.5-F8. and ND8 filters.
The results are actually no better than with Transcend 16GB Cl 10 card.:crybaby:
You used the "Fast Action Native 25p Patch" or "Blackout-Powell Native 24p Patch" with GOP 15?
Well, PAL users, what do you think about changing the 25p GOP-size to 15 frames? I've tested this setting several times in the past week, and while it's not immune to failure, it does seem more reliable than the previous 12-frame GOP I used in the Blackout-Powell 24p Patch. If we conclude it's a worthwhile improvement, I'll release an updated INI patch file in that thread.
In this video, two factors combine to overtax the bitrate available to the AVCHD encoder, resulting in muddy details. While the exposure is correct, the overall brightness and deep focus of the scene produces a large quantity of fine details that must be encoded. In addition, the complex movement of the water surface produces innumerable tiny motion vectors, requiring high bitrates to encode the frame-to-frame differences. In these circumstances, you may get more finely detailed results by underexposing the image. This will reduce the bitrate needed to encode midrange and highlight details, with the minor drawback of obscuring dimly-lit details....can anyone tell me why this vid has so much mud?! ...it's my experience that I frequently get great results from this camera when up close to my subject but often horrible results on bright sunny days like in the vid.
Feedback: I used a GOP-size of 15 frames for both the FHD and SH modes and noticed a significant improvement. It's not totally robust though as the following clip stopped after about 30 seconds (whereas the straight Blackout-Powell Native 24p Patch stopped almost immediately - using a Class 10 16gb Transcend card BTW). The fail was in FHD mode and interestingly I could not get a fail in SH mode. To be sure I was using a shutter speed of 1/50 for FHD and 1/100 for SH.
http://www.vimeo.com/22954324
Also, can anyone tell me why this vid has so much mud?! It was shot using the same patch and lens (being the stock 14-140 lens) in SH mode at 1/100. I could swear that it was neither over or under-exposed when I shot it. Also it's my experience that I frequently get great results from this camera when up close to my subject but often horrible results on bright sunny days like in the vid. Noting this vid and the one above were also shot using a Kenko circular polarizer.
http://www.vimeo.com/22972673
I've uploaded the original MTS files for both.
Cheers.
Updated Fast Action Native 25p Patch - Download Beta version here:
LPowell - Fast Action Native 24p Patch Beta.zip
For the last two weeks I've been testing a new stabilization technique that promises to significantly improve Native 25p (and Native 24p) reliability. However, I could not to find a way to improve FHD 25p stability without breaking SH 50p mode at the same time. I was almost ready to give up on the technique when I thought of combining it with my Fast Action 3-Frame GOP Patch, which sets SH mode to 25p. I found I could then improve the stability of both FHD and SH modes at 25p using my new technique.
Before updating my 50Mbps Fast Action 3-Frame GOP thread with this Native 25p patch, I'd like to ask PAL users here to put it through some additional testing. Among other adjustments, this patch sets FHD mode GOP-size to 15 and SH mode GOP-size to 3. I'd be most interested to hear how the results of these settings compare to the Blackout-Powell Native 24p Patch, which records SH mode video at 50p. Any time you can put into this project will be greatly appreciated.