DarkMatter
Veteran
Interesting i never heard that. do you have a link?
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No it was just ok, I think you may be stuck in after movie haze, give it a few hours it will wear off.:smile:FilmMakerr said:Fearless was amazing, not just okay.
Yeah. it's a love hate thing.GageFX said:Just got back from this today. One of the worst films ever. Writing, acting, directing - horrible. I imagine some of the actors might actually be good actors, but the writing was so horrendous. It's also hard to tell as it's dubbed, and dubbed voice over translation acting always seems to be horible.
The fights were great, though. Not all, but most. Some laughable, alot of repetition in the moves, some some really great choreography and fighting for contact/close contact film fighting.
Oh dear lord the movie is horrid, though. See it. You'lllove it.
-GageFX
MOVIE STUNTS said:No it was just ok, I think you may be stuck in after movie haze, give it a few hours it will wear off.:smile:
Crazy Guy said:don't know what kind of an authority, your friend is or claims to be on action/martial arts films...
I have to see this film. I can't compete with Tony Jaa, but I'm sure I can snatch a few moves. And as for "Fearless" this is Jet Li's last film of this type. He will continue to do martial arts films but because of an old back injury his doctor says he can no longer do the wire stunts and all that stuff.Alex DePew said:Ong Bak was very cool, story sucked, action and stunts blew my mind so bad I was picking up pieces for a week.
I just wish there could be more Crouching Tiger, Hidden Dragon, House of Flying Daggers, Hero type movies made. I hope this next Jet Li movie, which will be awesome no matter what, is in this vein.
If this is how "not" to make an action film I guess it will just have to be a bad example because I will be studying it.GageFX said:Ok. You are right.
I just saw Ong Bak , and The Protector is not the most ridiculous movie I've ever seen, Ong Bak is. We laughed all the way through. You can use that movie as a lesson in what to avoid in making an action/fight film. Ridiculous.
But everyone who knows the plot of this film knew this coming in. I haven't seen the film yet and even I knew what to expect. They went to see the fighting.Alex DePew said:But story - "Give me back my elephant/statue head so I can go back home or I'll kill anyone that stands in my way...." Yeah, same movie. And it was comforting too as all the same actors were in each. I didnt have to have all that pesky getting used to different actors thing.
For hardcore fight fans it is.Alex DePew said:As for the "realtime without cuts", no big deal.
I would love to see a badass chick pull this off but keep in mind film is a visual medium and cool looking shots help sell a fight. It's hard to get really pretentious of a martial art film without really knowing what sells them. Many of Don the Dragon Wilsons fights look real but bad choreo (moreso bad direction) hurts the fights in his films.Alex DePew said:Yes, I agree it's not done much. Not done enough. Which is why going into training for my film, the #1 rule was all fight scenes would be learned and choreographed as complete scenes, not individual moves for trick angles, slow-mo hits and multiple replay of the finishing move - or any move in between. The fights in my project are as real as possible while still holding the fiction of the situation and I have a 16 yr old, 5'1, 90 lb girl who had never had a second of fight training in her life before the film doin 4 minute, almost full contact fights.
I know this feeling. A movie fight with Brian Kung is like being in a real fight. But keep in mind Tony Jaa never said he did any other style than Muy Thai Kickboxing. So what you'll get is actually more than you normally get. In most films you'll get three things, punches, kicks and throws (maybe). In this you get knees and elbows thrown into the mix plus wireless stuntwork. (We don't use wires either, even though people believe Kung does, he doesn't).Alex DePew said:She's brilliant and leaves fight training with bruised forarms from blocking full punches and elbows from trained fighters, bruised shins from shin on shin kicks and blocks, bloody elbows from throwing elbows, and this doesnt even include her full speed full contact field hockey stick vs. shanai sword fight.
Ridiculous? Because he used the moves that his style dictates? He never said he was Bruce Lee nor that he adapted to anything. Have you ever seen Muy Thai ring boxing, this is what he did except in a stylized Hollywood fashion, so how can it be ridiculous. The stunt work was done for our enjoyment. We knew it was put there for spectacle not because real fights take great acrobatics. But if you want real fights you should be watching UFC or ESPN martial arts stuff.Alex DePew said:Yes, Tony Jaa's fight scenes are some of the best we've seen in a while. Yes, the non-worework, real stuunts is what attracted me to The Protector. I wasnt a Tony Jaa fanatic, or Ong Bak fan, I was a guy who saw a trailer with obviously real stunt and fight work and I went to see the flic. What I saw was ridiculous.
I understand this is your opinion but you do know many martial arts fans love acrobatics mixed with martial arts right. Even I get thrown over and do a cartwheel kick or so. Many of my guys went over (off the ground) for the throws and Brian comes in doing mid-air kicks, off the wall flips and kip-ups.Alex DePew said:And when I want to see spectacular acrobatics, I'll go see the latest Cirque de Soliel in Vegas. I prefer fighting in my fight movies. (But some of the acrobatic moves were pretty cool, just a bit ridiculous.)
Transporter was all quick cuts but can you honestly say it was choreographed poorly? Quick cutting is simply the modern style. Trust me, I've been there. In my first film you see the difference from what I'm doing now and we did quick cuts in both. Cutting rarely makes up for really bad choreo.GageFX said:As for the editing style, all the quick cuts usual point to poor choreography and single notes as opposed to full fights.