Terminus

ozan

Well-known member
Ight people its me again,

Not going to say much this time... was shot on the panny.

enjoy,


http://terminus-movie.com/

or

http://www.youtube.com/watch?v=nyiktNfn4AA


Director: Trevor Cawood
Executive Producer: Carlo Trulli
Producer: Robin Hays
Co-Writer: Jason Cawood
Cinematography: Trent Opaloch
Camera Operator: Ozan Biron
Production Assistants: Marcus Trulli, Billy Wong

Cast: Rob Carpenter, Tristam Gieni, Les Quinn, Stephanie McKenzie, Trent Opaloch, Chloe Millette, Melanie Gaultier, Cassidy Wheatcroft, Ian Thompson, Paul Copeland

VFX Supervisor: Tristam Gieni
SFX Prosthetics: Sarah Bergees
 
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You never seize to amaze me. That was awesome. I can't believe that's shot on a DVX. The effects were amazing, the film look was achieved so well I really thought it was shot on film at a certain point.

Everything just worked for it. Wow.
 
Very nice !! BMFM says it best the film look is pretty incredible. Care to share a trick or two ??

RE: Terminus,,, What are you kids using for the CG ? Just curious cause I've been a big fan of MAYA since version 5.0.

Great work
cheers
 
I couldn't last. Why wasn't the guy weirded out? He didn't even look up when the thing came to him at the beginning, it took him like 10 seconds.

That was really weird, but really great graphics, pictures, and editing.

Do you[/u] even no what it was about? lol. I was lost
 
wow,

Ive read about Terminus... Apparently it did really well at the Toronto film festival. I can see why.
 
Just entertainment Como... just entertainment, with great graphics, pictures, and editing. A good experiment with something for the future... like a study/shorts
 
FUKKING BRILLIANT!

I loved every second of it.

And COMO... uh.... argggg... I don't even know what to say...
 
Was the writer under the influence of anything when he thought this up cause it's pretty weird. But also totally awesome. Nice job Ozan
 
If I were you I'd keep the dvx hush hush and be asking everyone to check out my new 16mm film:D awesome stuff! care to share some more insight?
 
Bravo mate that was awsome. The 16mm look was spot on and the score made it really eerie. I loved it. Can you please tell us a bit about the filming experience and how they achieved the look if you know?
 
If I were you I'd keep the dvx hush hush and be asking everyone to check out my new 16mm film:D awesome stuff! care to share some more insight?

Bravo mate that was awsome. The 16mm look was spot on and the score made it really eerie. I loved it. Can you please tell us a bit about the filming experience and how they achieved the look if you know?

Very nice !! BMFM says it best the film look is pretty incredible. Care to share a trick or two ??

RE: Terminus,,, What are you kids using for the CG ? Just curious cause I've been a big fan of MAYA since version 5.0.

Great work
cheers

Come on Ozan, you got some questions!
 
wow trully wonderful, & has been said, a totally film cinematic experience. inspiring & comforting to know that the dvx can look this good, if not a little intimidating, you've set a new level, think i'll keep my dvx for a while yet. bravo
 
One exeptional art film in speak of genere. And incredible VFX, I don't watch much VFX. But in al nice cinematography and handheld photo.

I asume this is from a transfare of a 35 or 8mm, or have you made it al through VFX?

Really nice!
 
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awesome. I laughed when I saw Neill Blomkamp in the Thanks section of the credits. Totally made sense. This had such a similar feel to the movement the mech in his short films have, especially in tempbot.
 
hands down, best dvx film I've seen this year... maybe ever
please PLEEAASSEE share everything!
settings, how you came up with such an original story, post work? the more the better!
thanks so much for sharing this
 
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