FEATURE: Splashed - $0 budget Actioner

Hi fellow CineManiac.

As I sit to write this I am in the middle of post-production on my soon to be released feature: Splashed.

SPLASHED-POSTER-print-700.jpg

I thought I would pen my experiences to offer my kindred CineManiacs some inspiration and possibly even some form of roadmap to craft ideas into movies that can touch lives.

Now, with that mission statement, you are probably wondering, "does this idiot really have anything to offer me that I don't already know?"

Honestly, not so sure I do…

But I offer you my trailer so that you can silently sneak away and check out my bona fides yourself to see if this might be worth your investment. Here it is:

(go ahead, you know you want to)

That is just a sampling of my no budget shoot. (By "No budget" I mean, of course, no budget to me. There were many kind people who helped greatly and generously - you know who you are).

I'll be honest, I made many mistakes in the production of this flick. I made many, many compromises that crushed my poor little heart and made me never want to work in film again; and, by sheer coincidence/providence, I even stumbled into some success that guaranteed that I would.
I will candidly offer both the good and the bad to you.

I do this in the hopes that my tears and my triumphs might be some of the fuel, fire and knowledge that you need to make your own cinematic dreams come true.

About me:

• I love to write.
• I have written 7 feature-length screenplays to date (writing 8-10 right now).
• I have produced and directed many shorts, but…
• I never shot or directed a feature, and…
• I NEVER WANTED TO!

Why, then, am I doing this?

Because I realized something: I am just another wannabe screenwriter.

Without either a produced screenplay, or a purchased screenplay, I am just one more schmuck grinding out countless hours of "seat-time" in the hopes of "something" happening to me.

And, when this project began, I was getting to that breaking point where I had to either fish or cut bait -- know what I mean?

Have you felt that gnawing in your gut that has you wondering if you really have "it"?

Have you noticed those lingering looks from your lovely and (very) supportive spouse who is obviously growing restless with your pipe dream / hobby?

For me the grace period was running out, and I knew something had to be done -- maybe you are there right now…

As I saw it, I had two prospective strategies to dissolve this growing tension: 1) get one of my screenplays sold, or 2) get one of my screenplays produced.

In my view only one of those two options had any degree of certainty.

While I could go both full-force and whole-hog with a marketing plan, I would have no certainty that my efforts would end in a sale.

I did, on the other hand, know that I could shoot and edit something together. And that even in the loosest of terms, the final product could be described as a feature length flick… whether it would be good or not is left for others to say.

That is why, oh kindred spirit, I am sitting in the back bedroom of my house, attached to a 9 year old Mac Mini (don't laugh) - editing in the wee dark hours before work into the wee dark hours after work -- with short breaks for snacks (some healthy, some not so much) -- and the occasional 20 minute power nap.

That fire in my belly spilled over into a full-blown 82 1/2 minute action feature that I have now spread across 3 hard drives.

Editing those bits and bytes has me racing in a fervid pitch towards a completion date at the end of September this year. A mere 8 weeks away!

Can I do it? Follow and see.

And yes, I did say Splashed is an Action flick (in case you couldn't tell by the trailer).

No, I did not choose action because "action flicks sell well in foreign markets," nor because they appeal to a broad audience.

I chose action for a more nefarious reason…

I wrote and shot an action flick because deep down, in the dark places that no good and civil man likes to admit, I crave the efficiency of violence.

I love to see a warrior spirit triumph over the forces of evil in this dark and sinful world.

I love to see a villain fall to his well-deserved death and to see the hero stand gasping, bruised and bloodied -- yet victorious.

So I wrote an action flick because, gentle reader, I love action flicks.

I love the feeling of a dark theater exploding to life with adrenaline pumping thrills.

Perhaps I should be more apologetic about that, especially as a writer.

I mean, shouldn't I want to write crafty character explorations that mine that tender territory between the Id and the Ego?
Perhaps. And maybe someday I will.

But hey, I know action is not highbrow, it is not sensitive, nor couth.

But I do believe, in my heart of hearts, that action flicks can be both culturally relevant and thought provoking -- and I screenwrite to that end.

Anyway, I love action films. Love watching them. Love writing them, and have written a few.

But I noticed a tiny problem with every single one of my action screenplays: They would cost $40 million or more to make.

And, sad to say, I am not rich.

I have no Hollywood connections.

I am an unknown, writing in an obscure corner of Sacramento.

So the thought hit me: "Hey stupid, why not write a movie that you can actually shoot?"

And ten months later, here I am wrangling every drop of juice out of the Adobe Creative Suite to put that feature onto screen.

I want to, if you would indulge me over the next few weeks, offer you an overview of my process, my education, and my philosophy, all framed within the stories of my pain, fears and triumphs.

It may not be polished. It may not be crafty. But I will try to cover everything of value. And you will get to sense the palpable tension as I close in on a release date for my film.

If there is anything that you wish to see covered, please feel free to ask.

Now, why am I here talking to you? I've got to go shuffle audio files around.

And you… you should be writing, or shooting, or something...

Till we talk again.

- Sean
 
"Hey stupid, why not write a movie that you can actually shoot?" The motto of most low budget filmmakers. Looks decent enough. I love low budget action as long as the martial arts and action look good. I just posted my movie. I want to go back to basic action too one day.

-Nate
 
Time-money continuum… and why it matters

Time-money continuum… and why it matters

TIME-MONEY CONTINUUM… AND WHY IT MATTERS​

Hey CineManiac,
This week begins week 48 of production on my feature length movie, Splashed.
The pressure is on. Someone has been kind enough to sponsor the film into Sundance. I have only a few weeks left until the deadline (like under 7 weeks).

This reality has raised the stakes, and I find myself stressing a bit. Not because I am so self-deluded to think that my little flick with win anything -- I am not, and it won’t. Rather, I stress because I would hate to miss the opportunity for those who have sacrificed so much for this project. The least I can do is offer them the honor of having their work screened at Sundance.

So, I am working like crazy.

My schedule goes something like this:
Wake -> Read Bible. -> Edit
Shower -> Go to work.
Come home -> kiss kids, kiss wife -> Edit.
Sleep & Repeat.
That is it.

I have been editing dialog for a close to two weeks now, and I took a break the past few days to focus on Color Correction.
My quick tip for color correction -- if you have more than two tools going to fix something, you might' screwed up.

Anyway, this has been a pain-staking process. Not the task of correcting the footage, that is fun stuff. The pain comes from dealing with a computer that is closer to overloading than 'tween girl at a Taylor Lautner premier.

Here's my system:
  • Premiere 6.0
  • Mac Mini
  • 2/ USB 2.0 drives
Mac Mini.jpg
(Horsepower? 6 year old Mac Mini...)​

Friend, that is a fine system for working on shorts, music videos, and industrials, but when my feature got to over an hour in length, the poor system started sweating.
The autosaves take over 6 minutes!

Between that and waiting for spinning-beach-balls on practically each parameter change, I have some spare time on my hands. So much so that I am literally, breezing through chapters of William Goldman's Adventures In The Screen Trade. [If you have not read it, stop sinning and get thee to Amazon now].

This brings me the title:
TIME MONEY CONTINUUM​

My theory: A time-money continuum exists.

It goes something like this, when gobs of money are involved in any endeavor the financial freedom is high but the time constraints are stringent. A decrease in the amount of money involved increases financial constraints but frees up the time constraints.
So more money = less freedom in time. Less money = more freedom in time. A continuum.

You've seen this played out in life.

A high paying career usually requires high hour workweeks. High demand careers make for gobs of cash, but the freedom is not there. Vice versa for low paying jobs.
Movie budgets, same thing. High budgets = High risk. Investors get edgy and demand accountability: less freedom. Less time.

Vice versa for low/no budget movies.

MONEY

Well, as you know Splashed is a no budget film project. Which means that I am not spending any money on the production, which would include money for technology. Some people would call me frugal, I call me cheap.
For me, I owned up to the reality that I had no money to make a "budgeted" feature-length movie. But what I did have was…

TIME

I could give my time in exchange for budget.
I had no budget to afford a Boom Op, but I did have time and skills to edit and manipulate audio in post. I've been doing this professionally for years. Knowing this, I shot MOS, then did wild dialog (and Foley) on set.

I am now paying for that decision with hours spent conforming dialog.
But, if I had waited till I could afford a good Boom Op, I would still be waiting. So instead, I used the time freedom I had to make up for the financial freedom I lacked.
I also had no budget to afford a good DP. I was stuck using my hack skillz and doing both DPing and Directing simultaneously (probably my most gut-wrenching compromise I made).

There were repercussions.

For instance, I am working on a scene shot in a Carniceria. There are labels and signs everywhere. I avoided most of them by careful/creative camera placement and some shallow DOF tricks.
No Perros II.jpgChava Carniceria shallow DOF.jpg
(Some low angle shallow DOF shots in the Carniceria to avoid labels and branding)​

But some branding crept in anyway and I had to remove it in post. Also, because of the speed of the shoot schedule I had shots that were slightly misframed, or not shot at the best exposure.

But, I had a good deal of confidence in my editing skills. I knew I could reframe shots, and color correct, and use power windows to "re light" and motion track to remove labels, etc.

I could use my skills on my own time to make up for the lack budget at shoot time.

Now all of this is predicated on me having those skills before I began this project.
To get those skills, I could not afford to go to Full Sail (nor state university for that matter), so I made time my tuition.
I earned my education by volunteering at any studio or on any shoot that would let me make coffee, or wrap cables, move heavy items, etc.

The people who say that it cant be done that way any more are either lazy, or they work in the marketing department of Full Sail, because listen, it is a closely guarded secret (shhh… only the Illuminati and Bill Gates know this) but Business People LOVE free labor.

And by free, I do mean free. Free of hassle. Free of headaches. Free of excuses.

If you have the fortitude to show up, suck it up and work, then you can find yourself a world-class education.

Now, back to my title:
TIME-MONEY CONTINUUM… AND WHY IT MATTERS

In this world of indie/low-no-budget filmmaking, you are always battling the Time-Money continuum.
At this very moment, I am lusting over a Firewire 800 drive (no kidding, not a thunderbolt, or even eSata, but Firewire).
Why? Because I want time. I want my edits to take less time. And I know I can almost afford one -- almost.
I have a choice, I can spend the money or I can spend the time. It is a hard choice.

Do I have the money to spend? No, not really. I could jeopardize my family’s emergency fund, but I am sure that would also jeopardize my marital bliss.
As I see that deadline for Sundance rapidly closing in, I just want the assurance that technology will not be the hindrance to meeting that goal. But the reality is... it might.

But (I remind myself) Sundance is not my goal. Finishing my first feature is my goal.
And that I can accomplish with all the technology that I have been currently blessed with.

I had with my friend Alan Koshiyama the other day, (Alan is one of the best film Scoring guys out there, seriously) he said we "cant let waiting for technology get in the way of getting stuff done."

When it comes to your movie, own up to the fact that you will NEVER have all the technology you need. Or all the actors you need. Or all the crew you need.
You will never have the perfect words, perfect lights, or perfect sound.

But what you can have, if you are willing to sacrifice (maybe even sacrifice that high paying job), is something that will overcome all of those limitations: Time.

With that said, get out there, write something, shoot something, edit something, because time, my dear friend, is running out.

I gotta go color correct footage of a dog getting shot.
 
I don't know who you are, StratPlaya, but I give you a ton of credit - screw that, I give you a MEGATON of credit! Love your attitude! You, my friend, have the secret to success in your hand - your attitude. Now all you need is a bit of luck and whatever talent you were gifted with, and you should be in clover!
 
OldCorpse, you are too kind. I am a hack making my way! But I love movie-making, just like you. Anyone who reads American Cinematographer understands my sickness ;)
 
Faith

Faith

Hey CineManiac,

A little about my week:
  • I'm editing on a 9 year old Mac.
  • It takes me 6-7 minutes to auto save.
  • I lose about 20 minutes per hour on Auto saving.
And my title is: Faith?

“Faith… What is this fool ranting about now?”

Did you know that even the most staunch Atheist engages in acts of faith?
You wish me to explain…

Alrighty…

I’m guessing that right now you might be sitting on a chair, if so, then you my friend are engaged in an act of faith.
How?

Well, you had faith that that seat was going to hold you from falling.

Did you know with 100% certainty that your chair would hold you?

No! Yet, you still sat down. And if your buttocks are suspended above the floor, your faith was well placed.

The same faith exercise happens when you drive your car. You exercise faith that your vehicle is going to do its job (my faith in my vehicle is growing weaker each passing year).

You also exercise faith in opposing traffic; “That dude is gonna stay in his lane, right?”

Likewise, I have found that faith is essential to making a feature length movie.

Specifically for me I exercise faith that God has given me at least the most rudimentary artistic talents needed for story telling.
And… I step out in faith that God has made opportunities to exercise those talents. And… I operate in faith that I have all that is needed to tell an engaging story.

For me faith is not mystical, faith is practical.

Now to clarify, I am defining faith as: "being sure of what we hope for and certain of what we do not see."

Practically, I gain faith in people by spending time with them, slowly investing trust in them. When that investment pays off, I "have" faith in them.

As filmmakers we gain faith the same way.

We exercise our skills and find that; yes we do indeed have "something" there. We craft little videos and people engage with them.
We hang out with other filmmakers who validate our skills. We recognize a passion that keeps us going and doing, increasing our belief that there may be purpose and design behind our raw talents.

Faith is dusty. Faith is simple. Faith is practical.

Have you crafted short films?

Then you have you taken the baby steps of faith, and perhaps you were rewarded. If so, your faith grew and now you take larger leaps of faith -- maybe even to making a feature.

LOSING FAITH

So, I meet weekly with some of the Splashed family regarding promotion and business of Splashed.
At our last meeting I was duly chastised by my loving producer, Laureen Fallahay.

I came to the meeting filled with anxiety (the antithesis of faith).

I was complaining about all of the bad things that are hindering my progress. You saw the list at the top: my computer, render times, etc. I was knotted up and freaking because these were keeping me from making deadlines (mostly imagined deadlines).

My producer pulled me aside and pointed out how I had lost faith… not uncommon, it happens all too often.

You see I had begun to notice the insanity of pressing deadlines (again mostly imagined) and my focused shifted to hindrances rather than the providence that had been there since this whole project began.

The Biblical narrative of Peter walking on water comes to mind. Peter walked on water because he asked Jesus to let him join him on the water, and Jesus granted it.
But as he walked (something he could never have done on his own) he began noticing the waves rather than the One who was suspending him above the waves… and he sank.

I had become Peter.

I had lost sight in the fact that God cares immensely for me (John 3:16) and that he had (more than once) provided in ways that I could never have imagined. Christians call this Divine Providence - the secular translation is: "coincidence".

Again, and again, and again, God was there, usually in the nick of time, but it always worked, and it was never my doing. These events gave me faith to continue on.

A small story... those inclined to faith will find this familiar, others will find it silly. I make no apologies.

I was on location far away from resources and on a tight schedule (when does one ever get a loose schedule -- just saying).
Anyway, I had just finished shooting a well-dressed professional couple, just off from their well-paying jobs. I shot on DSLR and was setting up to do wild dialog (no-budget shoot, remember). And there I am with this borrowed H4N. It was maybe my second time using it.

Now in case you don't know, the H4N in non "stamina" mode is power hungry; batteries are chewed up faster than Doritos at a Phish concert. So, the thing lit up, and then shut right down.

I had no spare batteries -- I never conceived that this thing could die so fast. And I had no way to get more batteries. I only had the actors for minutes more, and now... it was starting to rain.

I voiced my problem, and one actor says, "Wait… What kind of battery do you need?" "Double A", I said. He reaches in his pristine suit jacket -- as if on cue -- and pulls out one -- single -- battery.

He presents the battery and says; "I wondered why I had this in my pocket all day."

I stood dumbfounded.

My friend, he was not in the habit of lugging batteries around in his suit, and he said so. So, the possibilities that he had carried one AA battery all day just for this shoot...

The scene echoed in my brain, as if screaming, "Oh ye of little faith!"

Alone that story is not much, could be coincidence, right? Maybe… But combined with dozens, perhaps hundreds of others just like it and the evidence begins to build up.
That realization carried me on through many dark times. Through the times when the computer was not working, or when I was "sure" there is no way out of this pickle. The building evidence in our favor built faith, and faith built momentum. And momentum gets projects done.

Bottom line: Faith, like a muscle, is increased through exercise. Stepping out, trusting, seeing what is possible, exploring the unknown -- and succeeding.

How does this apply to you?

Maybe you don't yet have faith in God. That does not preclude you from gaining faith in your God-given gifts.

If you don't have experience, go get some.

Shoot something. Write something. Edit something.

Exercise your gifts. See the results. Build your relationship with the things that are unseen, and you will increase faith as you see them come to reality.
And -- for those who can stomach it -- you will gain a certain confidence in knowing that the Master is at work.

fin
 
What kind of drive is in your Mac Mini? I replaced my Macbook Pro drive with a 7200 Hybrid drive and use firewire 800 drives to edit from. Haven't really had anymore problems. On Epitaph, I used a 7200 rpm hybrid drive for my files too. I'm using USB 2.0 drive for my horror film and it's fine so far. But we'll see when it gets to be over an hour.

-Nate
 
Hey Nate, sorry for the late reply. Been busy getting my audio ready for scoring.

The mac mini is all stock :/ I was looking at upgrades, including ram, but honestly I didn't really have the cash to do it. I am craving even a newer mini i7.

But what I ended up doing was splitting my timeline into thirds (the thing I avoided for fear of my movie feeling "episodic"). It has sped up the processing time incredibly. Set me back 2 weeks to make the transition, but it was worth it. I should have done it earlier.

There always seems to be workarounds (read: compromises) if I am only willing to let go of expectations - which I hate to do.

Glad you got your system rockin' :)
 
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Try swooping out the harddrive for your next feature and using FW800 external drives. I had a Seagate hybrid drive installed. Check it out. It's been awesome. But you'll need a drive to back up with Time Machine.

-Nate
 
UPDATE: Not a $0 Budget Film…

UPDATE: Not a $0 Budget Film…

So, while driving home from a scoring session I realized that I had my first direct expenditure on Splashed.

The amount: $14.23.

The reason: Lunch.

Sounds silly to be this far along and not to have spent money directly on the movie, but it is true.

Here’s what happened. I am fortunate enough to have a man named Alan Koshiyama (http://alankoshiyama.com/) as a friend. He is a spectacular film composer. Doubt me? Check out his site.

Anyway, he was kind enough to score my movie. Now friends, he is soooo far out of my league, and so kind to give up 2 full days of his life for me, that I was compelled to buy the guy lunch.

INSIDER TIP.

Why did he condescend to score my flick? Two reasons.

1) He is an awesome individual with a humble heart who truly lives a live worthy of being called a "Christian".

2) And this is the tip. He did not have a feature movie IMDB credit for 2013. Amazingly, keeping a consistent trickle of IMDB credits seems to be serious motivation for industry pros.

If you have a friend in the biz whose IMDB credit list is looking a little stale, maybe a credit on your movie could be an actual blessing to them. Something to consider.

INSIDER TIP #2

If you have shoots lasting less than 3 hours. People do not generally expect to have you buy them food.

Most of our shoots were 2-3 hours in length, so no food.

However we did have some kind people who brought snacks along on the various shoot. I think they felt sorry for me.

And it is not as if I was being cheap, I simply did not have the money to spend.

But there you are. Splashed is no logger a $0 budget flick, it is a $14.23 flick, and it is completely worth it.

I'm off to update my signature line :)
 
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