Michael Solomon
Well-known member
So we all talked about doing it... I figured I would bite the bullet and put all the picture profiles out there into one place. Let me know if I forgot any and I will continue to update the thread.
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Frank Glencairn Profiles
=====================
- K-Tone 2.0 -
Based on the K-Tone warm, vintage, sweet home Alabama Kodachrome 25 look – here comes a new version.
Black Level: 0 (set per scene)
Gamma: Cinematone 1
Black Gamma High, +3
Knee 102,5, -1
Color Mode: Cinematone1, +7
Color Level: -6
Colorphase: -7
Colordepth: R +2, G +6, B +5,C +5, M 0, Y +5
WB Shift: LB-CC, -8, -1
Detail: Level -4, Manual off
- GlenColor 2.0 -
A look you can use, if you don´t want to fiddle too much post.
Black Level: (variable – start at 0 and adjust to your scene)
Gamma: Cinetone2
Black Gamma High +7
Knee: 105% and slope +5
Colormode: Cinematone2 +8
Color Level -2
Colorphase 0
Depth: R+4, G+7, B+7, C+7, M+4, Y+7
WB-Shift R-B, R-7, B0
Detail: Level 0, Manual ON, BWType3, Limit4, Chrispening5
- G-LOG A 2.0 -
Black Level: 0 (set per scene)
Gamma: Standard
Black Gamma High, +7
Knee 105, 0
Color Mode: Pro +8 (was “Standard” before – typo, sorry)
Color Level: -3
Colorphase: -7
Colordepth: R -6, G +2, B +2, C -2, M +1, Y +2
WB Shift: LB-CC, 0, 0
Detail: Level -2, Manual off
- G-Log B 2.0 -
This is a very special and more aggressive, almost gritty look.
It brings out every wrinkle in a face.
Black Level: 0 (set per scene)
Gamma: Cinematone 2
Black Gamma High, +7
Knee 105, 0
Color Mode: Cinematone2, +8
Color Level: -4
Colorphase: -1
Colordepth: R +7, G +4, B +5, C 0, M 0, Y +0
WB Shift: RB, -9, +6
Detail: Level 3, Manual on, V/H 0, B/W, Type3, Limit 7, Chrispening 4, HL. Detail 0,
- Unnamed -
Knee setting: 105% and slope +5 in combination with Cinegama 2 does a nice job here.You pay for it with lowlight sensitivity and some noise.
But you don't have to shy away from highlights anymore and when you expose correctly, it´s fine.
Black Level (variable - start at 0 and adjust to your scene)
Gamma: Cinetone2
Black Gamma High +7
Knee: 105% and slope +5
Colormode: Cinematone2 +8
Color Level -2
Colorphase 0
Depth: R+4, G+7, B+7, C+7, M+4, Y+7
WB-Shift R-B, R-7, B0
Detail: Level 0, Manual ON, BWType3, Limit4, Chrispening5,
=====================
Strapping - Kyle McConaghy
=====================
An excellent straight out of camera profile
Black Level: 0-5 (dial to taste)
Gamma: Cinematone1
Black Gamme: High, +7
Knee: 100%, -1
Color Mode: Cinematone2, Level 8
Color Level: -2
Color Phase: -1
Color Depth: R -2, G +3, B +4, C +7 M +2, Y +7
WB shift: LB -1, MG/GR: -2, R -2, B 0
Detail: -2
=====================
BlackDogDylan - Neutral
=====================
An excellent "Neutral" or "Faithful" profile that requires grading in post
Black Level -4
Gamma ITU709
Black Gamma Middle -2
Knee Manual 100% +2 Slope
Color Mode Pro 8
Color Level -2
Color Phase -2
Color Depth R +2
Detail -7
=====================
TrueColor - Cuervo
=====================
Images rich in color with a warm tone. As close to legal Rec709 colors as possible with the FS-100.
Black level: -11
Gamma: C2
Black Gamma: Hi, 7
Knee 105, 2
Color Mode: ITU709, 8
Level:7
Phase: -1
Color Depth: 2, 0, 0, -7, 0, -5
WHite Bal: LB-2, MG/GR -2, R-2, B0
=====================
CPF LOG
=====================
- LOG Profile -
After setting exposure and lighting using the LUT, switch to this profile and record.
Black Level: +8
Gamma: Standard
Black Gamma
Range: Low
Level: -3
Knee (Manual)
Point: 80.0%
Slope: -2
Color Mode
Type: Cinematone1
Level: +8
Color Level: 0
Color Phase: -5
Color Depth
R: -4
G: +2
B: +3
C: 0
M: +2
Y: +2
WB Shift
Filter Type: LB-CC
LB [ColorTemp]: -3
CC[MG/GR]: -3
R Gain: -1
B Gain: +1
Detail (No Manual): -7
- LUT Profile -
Use this to set exposure before switching to the log profile, not intended for recording
Black Leve: -8
Gamma: Cinematone1
Black Gamma
Range: High
Level: +7
Knee (Manual)
Point: 90.0%
Slope: 0
Color Mode
Type: Cinematone1
Level: +8
Color Level: +4
Color Phase: -4
Color Depth
R: -4
G: +2
B: +3
C: 0
M: +2
Y: +2
WB Shift
Filter Type: LB-CC
LB [ColorTemp]: -3
CC[MG/GR]: -3
R Gain: -1
B Gain: +1
Detail (No Manual): 0
=====================
ABEL Cine Profiles
=====================
- AB Norm -
Has minimal adjustment and is intended for controlled lighting scenarios and studio work. ITU709 gamma curve used with a 85% knee point and -2 slope to maximize dynamic range.
Black Level: -3
Gamma: ITU709
Black Gamma: Range = High / Level = 0
Knee: Point = 85% / Slope = -2 (I, the op, personally set this to a 102.5% knee and +1 slope)
Color Mode: Type = Cinematone1 / Level =8
Color Level: -3
Color Phase: 0
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = -3 / Manual Set = Off
- AB HILIT -
Has the same minimal adjustment found in AB_Norm but uses the CinemaTone1 gamma curve. Knee point and slope set to maximize dynamic range. It is intended for use in scenes with bright highlight ranges, such as a bright day.
Black Level: -2
Gamma: CinemaTone1
Black Gamma: Range = High / Level = 0
Knee: Point = 102.5% / Slope = -1
Color Mode: Type = Standard / Level =8
Color Level: +1
Color Phase: +1
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = -3 / Manual Set = Off
- AB Range -
Maximizes the full range of the camera. Takes the same adjustments in AB_HILIT and reduced the saturation overall, which helps in post. Increased black levels to push up any details that might be lost. The CinemaTone1 gamma curve is used with a knee point settings that get the most out of the sensor.
Black Level: 0
Gamma: CinemaTone1
Black Gamma: Range = High / Level = +7
Knee: Point = 102.5% / Slope = -1
Color Mode: Type = Standard / Level =8
Color Level: -3
Color Phase: +1
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = -3 / Manual Set = Off
- 5DM2_Standard -
A look that matches that of the Canon 5DII. Uses the CinemaTone2 color mode to match the colors of the 5D, and ITU709 with a crushed black level to match the overall gamma curve. Detail is set to +1 for this setting to match the standard sharpness effect found in the 5D. The resulting image is very saturated and the blacks are fairly crushed, so use at your own caution.
Black Level: -6
Gamma: ITU709
Black Gamma: Range = High / Level = -1
Knee: Point = 75% / Slope = +1
Color Mode: Type = CinemaTone2 / Level =8
Color Level: +2
Color Phase: 0
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = +1 / Manual Set = Off
- 5DM2_Tec -
This matches the Technicolor Cinestyle picture profile for the 5DII as closely as possible with particular attention to the gamma range and matrix. The result is a very desaturated image with very high black levels.
Black Level: -2
Gamma: CinemaTone1
Black Gamma: Range = High / Level = +7
Knee: Point = 75% / Slope = 0
Color Mode: Type = CinemaTone2 / Level =8
Color Level: -6
Color Phase: +1
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = +1 / Manual Set = Off
- JR45Cine -
Attempts to replicate the look of the Panasonic Varicam. Combines the CinemaTone2 gamma with some color adjustments to get as close as possible.
Black Level: -3
Gamma: CinemaTone1
Black Gamma: Range = High / Level = 0
Knee: Point = 102.5% / Slope = -1
Color Mode: Type = Standard / Level =8
Color Level: +3
Color Phase: +1
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = -3 / Manual Set = Off
=====================
Frank Glencairn Profiles
=====================
- K-Tone 2.0 -
Based on the K-Tone warm, vintage, sweet home Alabama Kodachrome 25 look – here comes a new version.
Black Level: 0 (set per scene)
Gamma: Cinematone 1
Black Gamma High, +3
Knee 102,5, -1
Color Mode: Cinematone1, +7
Color Level: -6
Colorphase: -7
Colordepth: R +2, G +6, B +5,C +5, M 0, Y +5
WB Shift: LB-CC, -8, -1
Detail: Level -4, Manual off
- GlenColor 2.0 -
A look you can use, if you don´t want to fiddle too much post.
Black Level: (variable – start at 0 and adjust to your scene)
Gamma: Cinetone2
Black Gamma High +7
Knee: 105% and slope +5
Colormode: Cinematone2 +8
Color Level -2
Colorphase 0
Depth: R+4, G+7, B+7, C+7, M+4, Y+7
WB-Shift R-B, R-7, B0
Detail: Level 0, Manual ON, BWType3, Limit4, Chrispening5
- G-LOG A 2.0 -
Black Level: 0 (set per scene)
Gamma: Standard
Black Gamma High, +7
Knee 105, 0
Color Mode: Pro +8 (was “Standard” before – typo, sorry)
Color Level: -3
Colorphase: -7
Colordepth: R -6, G +2, B +2, C -2, M +1, Y +2
WB Shift: LB-CC, 0, 0
Detail: Level -2, Manual off
- G-Log B 2.0 -
This is a very special and more aggressive, almost gritty look.
It brings out every wrinkle in a face.
Black Level: 0 (set per scene)
Gamma: Cinematone 2
Black Gamma High, +7
Knee 105, 0
Color Mode: Cinematone2, +8
Color Level: -4
Colorphase: -1
Colordepth: R +7, G +4, B +5, C 0, M 0, Y +0
WB Shift: RB, -9, +6
Detail: Level 3, Manual on, V/H 0, B/W, Type3, Limit 7, Chrispening 4, HL. Detail 0,
- Unnamed -
Knee setting: 105% and slope +5 in combination with Cinegama 2 does a nice job here.You pay for it with lowlight sensitivity and some noise.
But you don't have to shy away from highlights anymore and when you expose correctly, it´s fine.
Black Level (variable - start at 0 and adjust to your scene)
Gamma: Cinetone2
Black Gamma High +7
Knee: 105% and slope +5
Colormode: Cinematone2 +8
Color Level -2
Colorphase 0
Depth: R+4, G+7, B+7, C+7, M+4, Y+7
WB-Shift R-B, R-7, B0
Detail: Level 0, Manual ON, BWType3, Limit4, Chrispening5,
=====================
Strapping - Kyle McConaghy
=====================
An excellent straight out of camera profile
Black Level: 0-5 (dial to taste)
Gamma: Cinematone1
Black Gamme: High, +7
Knee: 100%, -1
Color Mode: Cinematone2, Level 8
Color Level: -2
Color Phase: -1
Color Depth: R -2, G +3, B +4, C +7 M +2, Y +7
WB shift: LB -1, MG/GR: -2, R -2, B 0
Detail: -2
=====================
BlackDogDylan - Neutral
=====================
An excellent "Neutral" or "Faithful" profile that requires grading in post
Black Level -4
Gamma ITU709
Black Gamma Middle -2
Knee Manual 100% +2 Slope
Color Mode Pro 8
Color Level -2
Color Phase -2
Color Depth R +2
Detail -7
=====================
TrueColor - Cuervo
=====================
Images rich in color with a warm tone. As close to legal Rec709 colors as possible with the FS-100.
Black level: -11
Gamma: C2
Black Gamma: Hi, 7
Knee 105, 2
Color Mode: ITU709, 8
Level:7
Phase: -1
Color Depth: 2, 0, 0, -7, 0, -5
WHite Bal: LB-2, MG/GR -2, R-2, B0
=====================
CPF LOG
=====================
- LOG Profile -
After setting exposure and lighting using the LUT, switch to this profile and record.
Black Level: +8
Gamma: Standard
Black Gamma
Range: Low
Level: -3
Knee (Manual)
Point: 80.0%
Slope: -2
Color Mode
Type: Cinematone1
Level: +8
Color Level: 0
Color Phase: -5
Color Depth
R: -4
G: +2
B: +3
C: 0
M: +2
Y: +2
WB Shift
Filter Type: LB-CC
LB [ColorTemp]: -3
CC[MG/GR]: -3
R Gain: -1
B Gain: +1
Detail (No Manual): -7
- LUT Profile -
Use this to set exposure before switching to the log profile, not intended for recording
Black Leve: -8
Gamma: Cinematone1
Black Gamma
Range: High
Level: +7
Knee (Manual)
Point: 90.0%
Slope: 0
Color Mode
Type: Cinematone1
Level: +8
Color Level: +4
Color Phase: -4
Color Depth
R: -4
G: +2
B: +3
C: 0
M: +2
Y: +2
WB Shift
Filter Type: LB-CC
LB [ColorTemp]: -3
CC[MG/GR]: -3
R Gain: -1
B Gain: +1
Detail (No Manual): 0
=====================
ABEL Cine Profiles
=====================
- AB Norm -
Has minimal adjustment and is intended for controlled lighting scenarios and studio work. ITU709 gamma curve used with a 85% knee point and -2 slope to maximize dynamic range.
Black Level: -3
Gamma: ITU709
Black Gamma: Range = High / Level = 0
Knee: Point = 85% / Slope = -2 (I, the op, personally set this to a 102.5% knee and +1 slope)
Color Mode: Type = Cinematone1 / Level =8
Color Level: -3
Color Phase: 0
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = -3 / Manual Set = Off
- AB HILIT -
Has the same minimal adjustment found in AB_Norm but uses the CinemaTone1 gamma curve. Knee point and slope set to maximize dynamic range. It is intended for use in scenes with bright highlight ranges, such as a bright day.
Black Level: -2
Gamma: CinemaTone1
Black Gamma: Range = High / Level = 0
Knee: Point = 102.5% / Slope = -1
Color Mode: Type = Standard / Level =8
Color Level: +1
Color Phase: +1
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = -3 / Manual Set = Off
- AB Range -
Maximizes the full range of the camera. Takes the same adjustments in AB_HILIT and reduced the saturation overall, which helps in post. Increased black levels to push up any details that might be lost. The CinemaTone1 gamma curve is used with a knee point settings that get the most out of the sensor.
Black Level: 0
Gamma: CinemaTone1
Black Gamma: Range = High / Level = +7
Knee: Point = 102.5% / Slope = -1
Color Mode: Type = Standard / Level =8
Color Level: -3
Color Phase: +1
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = -3 / Manual Set = Off
- 5DM2_Standard -
A look that matches that of the Canon 5DII. Uses the CinemaTone2 color mode to match the colors of the 5D, and ITU709 with a crushed black level to match the overall gamma curve. Detail is set to +1 for this setting to match the standard sharpness effect found in the 5D. The resulting image is very saturated and the blacks are fairly crushed, so use at your own caution.
Black Level: -6
Gamma: ITU709
Black Gamma: Range = High / Level = -1
Knee: Point = 75% / Slope = +1
Color Mode: Type = CinemaTone2 / Level =8
Color Level: +2
Color Phase: 0
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = +1 / Manual Set = Off
- 5DM2_Tec -
This matches the Technicolor Cinestyle picture profile for the 5DII as closely as possible with particular attention to the gamma range and matrix. The result is a very desaturated image with very high black levels.
Black Level: -2
Gamma: CinemaTone1
Black Gamma: Range = High / Level = +7
Knee: Point = 75% / Slope = 0
Color Mode: Type = CinemaTone2 / Level =8
Color Level: -6
Color Phase: +1
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = +1 / Manual Set = Off
- JR45Cine -
Attempts to replicate the look of the Panasonic Varicam. Combines the CinemaTone2 gamma with some color adjustments to get as close as possible.
Black Level: -3
Gamma: CinemaTone1
Black Gamma: Range = High / Level = 0
Knee: Point = 102.5% / Slope = -1
Color Mode: Type = Standard / Level =8
Color Level: +3
Color Phase: +1
Color Depth: R=-2, G=-6, B=-7, C=0, M=+2, Y=+5
WB Shift = All 0
Detail = Level = -3 / Manual Set = Off
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