Sold my FS7 today

drboffa said:
I suppose it depends on how you define "low light" but I find it more than adequate in what I would consider "normal" low light situations. I've definitely used it on some very dim shoots and been happy with the results. F4 isn't exactly "fast" but it's pretty good considering the FX6's Hi Base.

There are times when I wish I had another stop but that's always the case, and I'm happy to trade that stop for IS, especially when it comes to R&G stuff. The implementation of gyro-stabilization in post still leaves a lot to be desired, enough so that I'm hesitant to buy any more non-IS lenses for the time being (aside from specialty primes and the like).
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Yeah, having to up the shutter speed in order to stabilize in Catalyst is something I definitely want to avoid...
 
scorsesefan said:
Yeah, having to up the shutter speed in order to stabilize in Catalyst is something I definitely want to avoid...
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I have yet to do this, although it's also something I'd rather avoid (unless I need to up shutter speeds for additional reasons). But barring that, the workflow is SO clunky: unless things have changed, you can't batch export stabilized clips (or batch stabilize at all), so you have to go through one by one. Not a problem with a handful of clips, but if you end a shoot day with dozens or hundreds of clips this is incredibly impractical.
 
You guys are great; thanks for your advice and discussion here.

I'm leaning moving away from the FS7 before it depreciates even further. Honestly, I'd love a pro cam with reliable AF in a more portable package -- -- while maintaining both the proper ND and XLR built-in in the FX6. Right now for AF stuff, I have an A6600 with a Sigma 16mm 1.4 and a Sony 30 1.8 -- but there's no ND and no XLR.

Meanwhile, I still love my EF-E speed booster, which gains an f-stop on my three IS Canon f/4 zooms (16-35L, 24-105L, 70-300). Plus, I get extra reach with the standard EF-E Metabones when needed. I use all 3 lenses with my A6600 for stills as well. Run-n-gun stuff I do has necessitated IS.

I was thinking....maybe sell off the FS7 now (as I'm not filming much immediately) and hold the cash until used units come available...and try to get by with my A6600? It's just that the FX6 would require FF lenses and that would require a lot of extra cash...

BTW - If you had to get 1-2 lenses for the FX6, what would they be?

Any more thoughts? Thanks again.
 
thoomp said:
BTW - If you had to get 1-2 lenses for the FX6, what would they be?
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Without thinking, my reaction was sony 28-135 + sony GM 50. Maximum utility + maximum low-light and beauty

But of course, it depends so much on what you're shooting. what are you shooting?

Many wedding photographers carry 2 bodies simultaneously, one with a 24mm f/1.4 and the other with an 85mm f/1.4

Of course, you could instead get a 24-70mm f/2.8 and a 70-200mm f/2.8 and get a happy medium of speed, coverage, image quality
 
thoomp said:
BTW - If you had to get 1-2 lenses for the FX6, what would they be?
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Sony's 20mm and 85mm, both f/1.8. Great lenses with the best FOVs for full-frame, IMO.

20mm FF is the "Netflix look" and 85mm brings out the FF shallow DOF pop.
 
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