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What about a hardcase for a pistol? Not sure how hard those are to come by in the UK but that might be something work looking into.Has anyone found a decently robust but small case for it?
I'm going to make the jump to a Small HD monitor this year and pack away the Sony VF for safe keeping. I'm just stuck on the fence between the 502 and the 702 lite.
702 lite - Extra real estate is always nice and on tripod or in studio I love having the extra size over the 502 but for hand held I'd still have to use the Sony VF as the 702 is just too large for hand held.
502- I could hopefully replace the VF and never have to pull it out. It would leave me wanting for studio or tripod shoots as 5" is on the small size and costs more than teh 702 lite. Also I'd be limited to canon batts when I have a pile of Sony L sitting on my desk.
Hi Ben (or anyone with a 702 Lite and a Odyssey 7Q)
Can you test something for me? I just got my 702 Lite and when I send a signal via SDI cable to my Odyssey 7Q, the 7Q image is really messed up. Lines going through it, terrible looking.
However, when I send the image out to my older SmallHD DP6, the image is perfect. I wish I had a 3rd monitor to test it on.
Ben, can you test to see what the image looks like when sending out from 702 Lite to your Odyssey 7Q? I'm wondering if I got a defective unit.
Thanks,
Gene
Thanks Gene you confirmed my thoughts as far as size go. I prefer a 7" monitor in most situations where I don't have to be as light as possible but then I can use the Sony VF then.
Now I'm contemplating the 702 lite vs bright. That bright screen is so nice but I'm not convinced the mechanics would last to make the extra money investment into the 702 bright worth it as a long term purchase.
How are you guys finding the colour quality and brighttness of the 702 lite? Do you notice the lack of rec 709 colour coverage over the bright model?
Has anyone found a decently robust but small case for it?
Update on this. I've realized each monitor has it's pluses and minus when working with various cameras and it's just a monitor thing. For example, on my 7Q, the HDMI In does not work with my FS7 or Red, but works perfect with my Canon 60D. On the 702 Lite, the HDMI can cross covert to SDI on the Red, but cannot cross convert from the FS7 (distorted image). 702 Lite SDI to the 7Q works when attached to the FS7 (I got it backwards in my initial post), but does not work when the signal source is the Red.
Seems like my HDMI out is broken on my FS7 because I cannot get a signal out all from it now.
However, I have the rig I need and worked around the compromises so it's all good.