rabbitearsmedia
Member
So, here's the deal:
I am applying for a 'micro business' grant (ie. working capital grant). I already shoot with a DVX100A (hence membership on this forum) and have considered upgrading to HVX200A so that
A) Have a HD/Pro camera while keeping tape (as many of my clients still want tape back ups
B) share tapes & batteries with DVX100A
C) There are several production houses in my area that have switched to using the HVX200A and I could work with them
But I'm also attempting to local ahead, and considering current prices, HMC150 looks inviting. But then there is the workflow for AVCHD vs. the workflow for the HVX200A: I'm working in Final Cut Pro and trying to turn projects around as quick as possible. Having read up on AVCHD, the work flow for FCP still seems time consuming.
So, thoughts? Suggestions? (and for the record, the grant budget has a bit of wiggle room, so perhaps don't think about the price of P2 vs SD cards)
Thanks in advance
I am applying for a 'micro business' grant (ie. working capital grant). I already shoot with a DVX100A (hence membership on this forum) and have considered upgrading to HVX200A so that
A) Have a HD/Pro camera while keeping tape (as many of my clients still want tape back ups
B) share tapes & batteries with DVX100A
C) There are several production houses in my area that have switched to using the HVX200A and I could work with them
But I'm also attempting to local ahead, and considering current prices, HMC150 looks inviting. But then there is the workflow for AVCHD vs. the workflow for the HVX200A: I'm working in Final Cut Pro and trying to turn projects around as quick as possible. Having read up on AVCHD, the work flow for FCP still seems time consuming.
So, thoughts? Suggestions? (and for the record, the grant budget has a bit of wiggle room, so perhaps don't think about the price of P2 vs SD cards)
Thanks in advance