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Vincent Wong Yoon Wei said:I was in the same boat until today. A few weeks ago, I was still contemplating if I should go for the HVX and spend a lot more money or just go with the DVX.
With HD getting very popular, I was afraid the DVX would be obselete.
But after watching 'Love Conquers All', winner of the FIPRESCI Award (Prize of the International Film Critics) and New Currents Award (Best New Asian Filmmaker of the Year) in the 11th Pusan International Film Festival today in the theaters, I can safely conclude that the DVX projected on a 10K projector on the big screen can go head to head with 35mm.
If no one told me it was shoot on DV, I would have thought it was film. Warm, lush, and vivid, theI think DVX will be around for a long time.
Works fine.PaPa said:How is the 24F?
Yep.Is it basically like the 24p mode on the dvx?
There is no pulldown in 24F.without the advanced pulldown? i.e. 24p in a 30 timeline?
It's nothing like Sony's CineFrame 24. Canon's 24F displays proper motion rendition and proper cadence. It does cause a slight lowering of resolution, but other than that it works just like 24P does.Is it really stroby like the sony 24f?
PaPa said:yo coffee, im curious to know how you like the XL A1 from canon?
How is the 24F? Is it basically like the 24p mode on the dvx? without the advanced pulldown? i.e. 24p in a 30 timeline?
Is it really stroby like the sony 24f?
Hows the HD quality?