Stuart Cummings
Member
Not meaning to change the subject but i have had my AF100 for a month and just got my GH2 today. My problem is where in heck to you buy batteries for the GH2 i haven't had any luck finding any thus far. Stuart
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I started shooting tapeless in August of 2009. Since that time I had 3 Transcend (16GB, class 6) and one Lexar failure. All failures with Transcend were in mildly cold conditions- about 20-25F, which really is not cold at all. Lexar died in the desert in about 95F. All failures were total and no footage could be recovered. I was shooting for 2 documentaries and it made me looks like a total amateur- sorry guys no summit footage as my card died in cold. Ever since I am only using Sandisc Extreme III (16GB class 6) and I also have one gold Panasonic 32GB class 6. I mostly use 16GB, just because if the card dies you loose less. I keep 32 GB if I am filming something longer.
Anyone tried Eye-Fi Pro X2?
Are they slow at class 6?
Anyone tried Eye-Fi Pro X2?
Are they slow at class 6?
Class 6 is fast enough to handle anything the AF100 can do, including overcranking.
AF100 operating range is: 32°F - 104°F
Is anyone using the SanDisk Extreme Pro SDHC - UHS Speed Class 1 cards that are rated up to 45 MB/s, and have you had any issues with those cards?
Well, the explanation is -- different codecs will capture varying degrees of quality. The onboard codec is really pretty good. Not perfect, but very good and extremely usable. Your experience matches ours, for most shots there just really isn't a difference that you can see.
External recorders have the capability of delivering higher-quality footage in certain scenarios, those primarily being:
1) Chroma keying, where you need and want 4:2:2 color, and
2) Demanding situations where the codec might become overloaded. It's not all that easy to overload the AVCCAM codec, but it can be done, if you shoot outdoors by a river with lots of rippling/rushing water and you shoot a wide-angle shot with billions of tree leaves blowing in the wind... those are situations where the codec doesn't have quite enough bandwidth to handle all the detail so it might get a little soft or mushy on the fine detail, or "crunchy" in the water.
For interviews and things like that, you're going to be really hard-pressed to see any difference. For most users the onboard codec is going to be plenty good enough.
Wait, so it's really 10 MB/s instead of 45 MB/s? It would seem that the Transcend cards aren't very reliable from the posts in this thread.
Wait, so it's really 10 MB/s instead of 45 MB/s?