Tom Marshall
Actor!!!!!!
Rezfactor said:Don't expect too much! The VFX are very minimal, and we're still trying to engineer some kind of a story!
I say 6 minutes of her laying in the grass in her bikini...
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Rezfactor said:Don't expect too much! The VFX are very minimal, and we're still trying to engineer some kind of a story!
I like this idea. I think when I finish the entry for Horrorfest, I will use these principles/steps to creat a short film for practice. (Lord knows that I could use practice!!!)Rezfactor said:Mid-week mini-projects continued . . .
21 SEPTEMBER UPDATE 1.0: SCRIPT
After editing a key shot into a half-shot rough cut tonight that I almost didn't even use, and adding a key sound design element, I think I figured out how to shoot the rest of the short. The "story" I think, makes sense, now that I have the visuals to set it up. I think it works in my head. Only way to tell if it really works is to shoot it and cut it into the piece. Here's a brief outline of my "writing" methodology:
1. Get a vague idea, a premise, and principle setting in mind.
2. Try to acquire all necessary props to be able to "sell" the desired setting.
3. Start shooting all kinds of elements that I know I may need that support the general premise and theme.
4. Start cutting together these shots to music (then mood and tone start to magically appear).
5. Find the hottest girl that will let me shoot her in a bikini, and book her for two days of shooting, a week apart from each other.
6. Shoot the first day.
7. Cut together all promising elements from first-day live action shooting with actress.
8. During the week of downtime, before I shoot the second day with my actress, keep cutting and adding effects, sound, and other elements to what I've shot so far, until a "story" magically appears in my head.
9. Use those ideas to complete second day of shooting with talent.
I finally reached "Step 8." at about 5:30AM this morning, while watching the incomplete rough cut from the first day of shooting over and over again.
Rezfactor said:You know how when you think of something really late at night, and think it's great, and then in the morning you're thinking . . . hmmmmm.
I totally agree! Thank god I'm not the only one who thinks he has "great ideas" in the wee hours of the night, only to discover how lame they are the morning after! I'm keeping old half-baked scripts in a drawer now. And, yes, sometimes they surprise me (in a good way) in a later read! The creative process is so fickel, isn't it? And when you're struggling with a creative problem at 4:00AM, it sure gets lonely sometimes. Good to hear these kinds of posts from the rest of you, too--makes the process a little more bearable knowing you have some company. Geoff, D&G, Briceman, thanks!Geoff_R said:This happens to me every other day. What's funny is that usually I'll write these things down and put them in a box. So every now and then I pull this 'box' out and look for ideas and it usually ends with me severely doubting my abilities.
BUT!!! sometimes you pull that weird stupid idea out and it's been six months and all of a sudden it works! That's even stranger to me.
http://www.dvxuser.com/V6/showthread.php?t=43731Lingothree said:You boys and your bikinis. Why don't you get off the message boards and go find some real life bikinis?
The story? The Script? The Meaning to Life, itself? What? What is it that you've got, Rezfactor??? (the beer bottle opened? the bug is dead?)Rezfactor said:I'VE GOT IT!