johnnyspack
Active member
OK here's the deal...
I'm shooting a short for 1 night. It's a 2 hander in a hotel room, half inside, half outside on the balcony with spectacular city views. There'll be no sudden movements or action and I want to do some focus play.
I have at my disposal an awesome DP and AC and either a RED or 7D (or XHA1 + Brevis + Nikons), but not much cash for lights and am shooting guerilla in this space, so I want minimal crew.
The other thing is it will be a PR advantage to shoot on a DSLR ("look what we made with this thing"), but ultimately it's the film that counts. It's a very intimate script so it would be ideal if the shoot wasn't about the camera.
My post path will be minimal on FCP and Macbook Pro (hopefully) and will be delivered SD initially on DVD then Digibeta.
Any thoughts or advice about camera choice and other pitfalls.
Dman
www.sixfoot6films.com
I'm shooting a short for 1 night. It's a 2 hander in a hotel room, half inside, half outside on the balcony with spectacular city views. There'll be no sudden movements or action and I want to do some focus play.
I have at my disposal an awesome DP and AC and either a RED or 7D (or XHA1 + Brevis + Nikons), but not much cash for lights and am shooting guerilla in this space, so I want minimal crew.
The other thing is it will be a PR advantage to shoot on a DSLR ("look what we made with this thing"), but ultimately it's the film that counts. It's a very intimate script so it would be ideal if the shoot wasn't about the camera.
My post path will be minimal on FCP and Macbook Pro (hopefully) and will be delivered SD initially on DVD then Digibeta.
Any thoughts or advice about camera choice and other pitfalls.
Dman
www.sixfoot6films.com