I was just looking at CVB's cool Red renders here: http://www.dvxuser.com/V6/showthread.php?t=58691
and the topic of where all the plugs would go came up.
I think one cable into RED that ended up in a breakout box would be a much neater solution to the problem of "where do all the plugs go?"
Why would anyone want more than one cable connected to the camera? (Just unplug the cable when you're running and gunning. Maybe composite and component video plus 2 xlr's and lens control ports are actually built into the body)
If you've got 4 channel audio why not have radio recievers and/or all those XLR cables connected by one cable to a breakout box 20 feet away? Doesn't that make running this thing from a jib or steadicam while still feeding audio in sync a LOT easier to manage?
You could run AC power on that same cable. If there are jacks on the camera for zoom/iris/focus motors they could be controlled via that breakout cable too. Basically the breakout plug should contain a way for 3rd parties to access EVERY camera function.
Imagine Premiere, FCP or even Photoshop plugins that would actually control the camera. Change aperture, white balance, crush the blacks, saturate the reds, Zoom lens to 100, focus, zoom out to 65, roll camera (recording to in camera HD AND Final Cut HD at same time for instant backup), "ACTION", Rack focus to killer walking in the door, superslow zoom easing in to faster zoom and then easing out, "CUT"!
All via that cable.
If if that makes sense then why not have TWO breakout plugs?
One could breakout to a very short custom cable/connector mounted on the cage proivide access to something else that MUST travel with the camera but wasn't built in already.
I think any cable that doesn't HAVE to travel with the camera should be offloaded to a breakout box. Then you could have multiple USB, Firewire, Component, VIDEO etc.
Now if you damage a plug you're not damaging your camera. The major wear and tear of plugs happens to the breakout box. DUAL breakout plugs on the camera gives redundancy if one of those is damaged. OK maybe 3 of those would be better.
Oh, if 6 pin firewire is going to be used then there should be an ON/OFF switch next to it for connecting/disconnecting. Many a firewire port has been blown hot swapping 6 pin plugs.
Different breakout cables could be designed for different setups.
You gotta admit... this idea would be easy to do, reduces the complexity of RED's body design and generally just makes a lot of sense. (well, to me anyway)
and the topic of where all the plugs would go came up.
I think one cable into RED that ended up in a breakout box would be a much neater solution to the problem of "where do all the plugs go?"
Why would anyone want more than one cable connected to the camera? (Just unplug the cable when you're running and gunning. Maybe composite and component video plus 2 xlr's and lens control ports are actually built into the body)
If you've got 4 channel audio why not have radio recievers and/or all those XLR cables connected by one cable to a breakout box 20 feet away? Doesn't that make running this thing from a jib or steadicam while still feeding audio in sync a LOT easier to manage?
You could run AC power on that same cable. If there are jacks on the camera for zoom/iris/focus motors they could be controlled via that breakout cable too. Basically the breakout plug should contain a way for 3rd parties to access EVERY camera function.
Imagine Premiere, FCP or even Photoshop plugins that would actually control the camera. Change aperture, white balance, crush the blacks, saturate the reds, Zoom lens to 100, focus, zoom out to 65, roll camera (recording to in camera HD AND Final Cut HD at same time for instant backup), "ACTION", Rack focus to killer walking in the door, superslow zoom easing in to faster zoom and then easing out, "CUT"!
All via that cable.
If if that makes sense then why not have TWO breakout plugs?
One could breakout to a very short custom cable/connector mounted on the cage proivide access to something else that MUST travel with the camera but wasn't built in already.
I think any cable that doesn't HAVE to travel with the camera should be offloaded to a breakout box. Then you could have multiple USB, Firewire, Component, VIDEO etc.
Now if you damage a plug you're not damaging your camera. The major wear and tear of plugs happens to the breakout box. DUAL breakout plugs on the camera gives redundancy if one of those is damaged. OK maybe 3 of those would be better.
Oh, if 6 pin firewire is going to be used then there should be an ON/OFF switch next to it for connecting/disconnecting. Many a firewire port has been blown hot swapping 6 pin plugs.
Different breakout cables could be designed for different setups.
You gotta admit... this idea would be easy to do, reduces the complexity of RED's body design and generally just makes a lot of sense. (well, to me anyway)
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