tonacidigital
Well-known member
holy smokes. I browsed through the lu men lab forum. impressive stuff. fortunately I have an electronics guru who I can bribe to make one for me. I'll post results when done.
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Emanuel said:EDIT -- Did you experience any presentation from a DIY projector like that?
D_and_G said:And do you think the onboard RED LCD will be good enough for critical focus work at 2K, or would the 8.5 be needed ? But, it's probably to soon to tell.
tonacidigital said:holy smokes. I browsed through the lu men lab forum. impressive stuff. fortunately I have an electronics guru who I can bribe to make one for me. I'll post results when done.
From this statement it seems that most likely they are going to use a medium res-panel along with a “trick” “not seen before”. What matters, is to prove effective..“Standard LCD's won't cut it. It will take a new "trick" not seen before to help the shooter focus accurately without an optical finder (which many will tell you is still a challenge in lower light conditions). I think we have one.”
Amen…Gibby said:For real mobile production, ENG-style, Steadycam, etc., it would be awesome if the multi-position onboard screen and focus assist were so good that another larger outboard screen was not needed…
Well, I prefer to wait for the first review before I get excited..Gibby said:It's going to be interesting when the final spec sheet is published, don't ya think?!
Thanks for the summary Gibby. I have full faith in the team of RED to make focus smooth for 2K resolutions. That's not in question for me. My only caveat was using a follow focus during a complex action scene (like in Collateral) using a variety of lenses. It's the ease of use for the complex shots, delegation of composition etc... that has to be balanced against how thrid part products may improve either of those. And frankly, i'm budgeting for something that will has a built in waveform and vectorscope anyway (although that certainly isn't a necessity for using RED effectively)... thus my interest in peoples workflow on set. I wouldn't be buying the camera if i didn't think that it could be used smoothly without the add ons, but i'd be crazy not to explore them :beer:Gibby said:Considering the above, if by chance the on-board “high-res” screen and focus assist functions dance together really well, it follows that it may be feasible to obtain critical focus at resolutions of 2k and lower completely with that screen – no need for an 8.5” or larger outboard monitor, unless you want one, in which case the HDMI, HD-SDI, and high-speed serial data ports give you many options. For real mobile production, ENG-style, Steadycam, etc., it would be awesome if the multi-position onboard screen and focus assist were so good that another larger outboard screen was not needed…
It's going to be interesting when the final spec sheet is published, don't ya think?!
Gibby
RED #8
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