PUSH - Directed by Matt Sconce

I saw the same thing before. But, I did notice that REDCine actually outputs exactly what you see in the quality settings. So, if you're working in 1/2 Res High resolution or something like that, it does 1/2 Res HIgh to the output file.

I think you have to switch to Full Res before you output? But, I'm probably wrong.

I exported some footage at 720p and it's got some noise in it, it's also nowhere near as sharp as the 4k.

I'd run that test myself but can't mess with the footage til I upgrade.

Let us know what you get, Matt, if you have the time to do what Geoff suggested.
 
Kholi said:
I think you have to switch to Full Res before you output? But, I'm probably wrong....
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I'm almost 99.9% sure you don't have to do that; the preview/playback settings supposedly do not affect your render at all. But 'Process', Standard, Full, Draft settings will along with the 'Quality' tab.
 
Hmmm....that is an interesting test. I will try it when I find a moment. The display settings did not effect my exports from Red Cine. I'll let you guys know what I find.
 
Hypercam vest and arm are finished! I am on to the sled today.

The arm turned out GREAT!!! I put it on Matt last night and he got to play. Fun, fun, fun! I am placing a Marshall hi res screen into the 'Hyperdrive' section.

Mark, this is going to rock for the Netherborn shoot! I'll try to finish this so we can get onto the wire rig.:violent5:
 
I'm on the gimbal of the Hypercam steady cam. All sealed bearings here. I am using a Subaru clutch throw out bearing for the main spinner...lol! :D
 
Gary Sconce said:
I'm on the gimbal of the Hypercam steady cam. All sealed bearings here. I am using a Subaru clutch throw out bearing for the main spinner...lol! :D
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As Long as it is not from a Suburu BRAT, circa 1980's... My senior car... OOOOOOH I hated that car. I wanted a 1950's Desoto.
 
Whew!!!

After a night of Failed renders, I exported my AE timeline in three chunks of 2K uncompressed AVI files to edit in Premiere CS3. Tonight I will be making all the timing changes, and may possibly have a rough cut ready for sound. If not tonight, in the next several days this will be completed.

Justin, How should I get you the file? What format, size, etc? PM me or e-mail me the specs.

It is looking good! I am excited.
 
msconce said:
Justin, How should I get you the file? What format, size, etc? PM me or e-mail me the specs.
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Great! Glad to see it's coming nicely down the dvx pipes. Just get me a QT 400~ or so pixel wide video and timecoded if possible. All sound FX and dialog

Cheers!
/j
 
Ooooh....Good to know. I was going to send it to you and the sound guy at the same time, but this makes sense. I will have to wait then to send it to you until after we go through the sound process. I will try to get rolling on the sound aspect next week. :beer:
 
well, I don't really need all sound FX. Just base general ones. Even if you took 30 minutes to put in some temp gunshots, blinks, blanks and blicks just to get the correct timing of things not seen off screen. Otherwise, I'm ready whenever and I don't have to wait for after the soundfx guy to work his magic.

/j
 
oh, plus I'm leaving April 26th-May 20th for my baby tour to visit my family back home. :) So, I'd like to finish before I leave or i could just wait till i get back? It's up to you.

/j
 
I will put in temp sound effects and temp dialogue for you. I would rather have the score before you go as after gets pretty close to the deadline. I will try to have it uploadable for you by Monday at 12:00am. Is that enough time to work your magic? That way, you can tweak things when you get back if needed but will not need to compose the entire score? How does that sound?
 
the preview settings have no effect on the quality of output, but they do affect the speed of output (how long it takes to render). but this effect is confusing and antithetical. sometimes you want to match the size to the output, sometimes you just want the smallest frame for Redcine to rewrite to the screen as it renders. it is a little hit or miss and there are ways to greatly improve or hinder your render times.
 
Mark T. Aro said:
As Long as it is not from a Suburu BRAT, circa 1980's... My senior car... OOOOOOH I hated that car. I wanted a 1950's Desoto.
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Actually it came from a Loyale... The EA 82 1.8L motor. BTW I have a 1953 Desoto at home. Possibly one of three left of its type.

Gimbal is done. Works GREAT. I am now playing with the sled configuration and working into the design: The Hyperdrive (removable), ease of balance, battery mount, multiple mounting positions of Marshall monitor and arm, ease of disassembly, and ability to flip over the rig for low shots. Fun fun fun!
:D
 
Gary Sconce said:
Gimbal is done. Works GREAT. I am now playing with the sled configuration and working into the design: The Hyperdrive (removable), ease of balance, battery mount, multiple mounting positions of Marshall monitor and arm, ease of disassembly, and ability to flip over the rig for low shots. Fun fun fun!
:D
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Woohoo! Go Go Go! :thumbsup::grin:
 
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