AC160 Please Critique my video. Need advice on best settings to shoot with uplighting.

[pifemaster]

If you could just get rid of the flash photographers it would give a better result.

Ha Ha Ha, I have worked with all types of Photographers. I am usually happy if I can just keep them off the dance floor during the formal dances. I always shoot from off the dance floor and zoom to the subject as needed. I hate it when I work with a photographer that feels the need to shoot formal dances with a 50mm prime lens and then hovers 5 feet away from the bride & groom on a 24' X 24' dance floor. But I just grin and bear it!

I thought there was a little too much time spent on the tables.

Duly noted. I debated trimming the table clips a little more and now I wish I had.

Now, if you have to provide the music AND attend to recording and worry about light and sound, this is more than the average multi-instrument street performer has to deal with.

Unfortunately, I am a one man show. My first priority is being the emcee/DJ. Sometimes it is a little hectic trying to play the music, take requests from the guests and get good video of the action as it unfolds on the dance floor all while trying to watch exposure, focus and audio levels. But I am willing to give it 110% if it keeps me a step or two ahead of my competition.

Thank you very much for your comments!

Thank you,
Robert Pfeifer
Pifemaster Productions
www.pifemaster.com