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I hope they included 720p60 25Mbps as was on the PX270. I know 720p seems out of date but I have shot tons of work for Blu-DVD delivery in this format. The file size and quality are a great mix.
There’s a new firmware update available for the CX350. One of the items it addresses is the use of external zoom controllers. I have not tested it and don’t know details, but thought I’d share.
https://eww.pass.panasonic.co.jp/pro-av/support/content/download/EN/ep2main/soft/upgcx350_e.htm
Hi Mitch, I'm trying to load your additional scene file sas per the instruction, but I always get the message LOAD NG. There is no 'CX350 BG' indicated on position 2 of the file card load display although I do see the date of the downloaded file. Have tried numerous times with same result.
My firmware is version 1.11.00.0.00, is this the latest? I'm asking this as the Manfrotto LANC zoom control does not appear to work.
Thanks in advance
My firmware is version 1.11.00.0.00, is this the latest? I'm asking this as the Manfrotto LANC zoom control does not appear to work.
That should be the latest firmware version. Which Manfrotto zoom controller model do you have? I am able to use a Manfrotto LANC controller with that firmware version and it seems to work fine.
Keep in mind that some of the zoom controllers are switchable between the LANC and Panasonic zoom control protocols. For the CX350, this switch should be set to the LANC setting (not the Panasonic setting), since the CX350 uses the LANC protocol. The Panasonic setting is only compatible with earlier Panasonic camcorders like the DVX200, UX180 and earlier cameras.
My guess would be that your zoom controller being made for Canon and Sony LANC might still not be compatible with Panasonic cameras. I have been using Panasonic cameras for a while so all of my controllers are meant for Panasonic cameras. Not much info out there so you might try to get your hands on some other controllers to test out.
Thanks Mitch and Dave, I'll follow your advice. The Manfrotto zoom controls model 523Pro.
I’ve acquired a CX350 and an S1 and will be using them on the same projects. I have several questions related to calibrating these two cameras for color match.
Has anyone done any scene file work that might help pull these two cameras together?
Are there any suggestions for best settings for both with post production in mind?
Suggestions for best settings for a burned in look that would be best for matching the two cams (and a DJI P4P)?
The way I have always done is get a calibrated video monitor, some color charts, high CRI lighting (tungsten being the best) and start adjusting the color matrix. The more you do it, the more you will know from a firsthand experience. You will evolve over time, but you have to start somewhere. If not that is fine too but you will be beholden to others making things for you.
I'm not sure about the matching the CX350 to the S1 specifically, but I did look a little bit into matching the CX350 to the GH5/GH5s as I mentioned in this post:
http://www.dvxuser.com/V6/showthrea...corder&p=1986792684&highlight=#post1986792684
Overall I found the GH5 to be a bit more saturated and contrasty than most of the CX350 picture profiles by default and I wouldn't be surprised if the situation were similar with the S1. This meant that the Natural or Cinelike-D profiles on the still camera would be a better starting point. If you want to shoot log, then HLG is pretty much your only option since the CX350 doesn't have a V-Log profile.
The suggestion of getting a good external monitor (with vectorscopes) and color charts (ideally one of the video oriented color charts with video color primaries) is definitely the way to go. Since the CX350 has way more image controls than the S1, start with a picture profile you like on the S1 and try to match the CX350 to that.