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And the video is gone!
There seems to be some serious damage control going on. All these videos disappearing and being wacked. I understand the motivation. But will they be able to still do damage control once the camera is out and in the hands of people? I doubt it. They have no grounds to sensor it under law. The camera will look the way it will look. Inevitably we will have bad footage from it out there. Nothing can be done about it.
90% of the people who will buy the camera won't be as talented as Roger Deakins and I'm being generous. So bad footage is a given. Might as well accept it now. It will be out there. If the camera needs lots of talent to get great footage out of prepare for an avalanche of bad footage once it's selling. If it's easy to get great footage out of it, then we will have lots of great footage to see. It's a natural process. No point in fighting it. The camera is what it is.
And the video is gone!
There seems to be some serious damage control going on.
But will they be able to still do damage control once the camera is out and in the hands of people?
And unless it was a wordplay exercise, it's censor.
:tongue:
What, what's your point? Can you clarify?
I understand your question Sttratos.
I think Panasonic is currently "censoring" footage because they do not want anymore footage released except for on their new firmware, which they feel improves the image dramatically. I don't think this is out and installed on cameras yet. I do think this is a different issue than merely just not wanting bad footage around pre-release, as it revolves more around having accurate footage around pre-release (good or bad).
Does the new firmware actually change things dramatically? I have no clue. No one does except Panasonic. It stands to reason it does, as they had sent out pre-release cameras for other people to review and post footage of online with the intent of letting them post what they may. Right before publication they put out the hold as they have come back to address in firmware the criticisms received.
Is this just a line from Panasonic to cover up not allowing any non-pro footage online? Maybe. If that is your assertion, you might be right. But I personally doubt it, though that's just my perspective based on watching the events unfold - and your assertion and perspective is no less unreasonable than mine (though arguably less probable). The one criticism of it that people are likely reacting to is that it seems less probable given the unfolding of events and Panasonic's original intent, and it also requires calling Mitch a liar. While I understand how a rep is a rep - and agree if such an assertion was true, this is what a rep might say - I'm sure you can see why it starts to become an increasingly touchy subject for some, especially when there is a perfectly reasonable and probable explanation for holding footage until the new firmware is released.
I asked Mitch what else the engineers are working on besides High ISO/ISO 2500 and he said he could not answer, so who knows if image aesthetics in normal daylight/base 800 ISO will change much at all. He also indicated that the engineers are very satisfied with their results in general, so take that as you will. Noel's footage was shot on the old firmware, and that is being released to the public in a week. But maybe they're ok with it because it's under Panasonic's watch closely.
So anyway, I see it less as "censorship" and more as Panasonic's right to a proper roll-out on a pre-release camera. YMMV...
I look forward to seeing more footage soon, in a variety of hands, like the rest of us.
I certainly hope for those who plan on getting this camera that it won't need any fiddling with settings to get the most out of it. The best cameras have one way, and one way only, that gets the most out of the camera and it's there from the beginning.
I see no camera released this year at about the same price point as the FS7 with as a complete feature set and that camera is three years old so little excitement to be had by this camera, or any other.
Recently I had the chance to play with Eva 1 for while and it does lack certain quality and functionality I'd appreciate and sure not better than the FS7.
I agree with everything you said about the FS7. Had one and sold after being tired of dealing with it. But complain about video look and plasticy look from the FS7 after looking at those EVA1 demos? This is exactly my problem with some of the shots in the EVA1 demos. I think the C200, FS5, FS7, EVA1 etc are all on pair. They put out basically the same level of image. You just need to choose the features that are more important for you.
I certainly hope for those who plan on getting this camera that it won't need any fiddling with settings to get the most out of it. The best cameras have one way, and one way only, that gets the most out of the camera and it's there from the beginning.
Right. Kind of like all tools. Kitchen appliances, race cars, drills, coffee machines, sound recorders, BBQs, chairs - they all have one way, and one way only, that gets the most out of them.
That's why I miss film cameras. They had no variables and just one film stock, which is why film looks so good, and why DPs are so overrated.