Cosimo Bullo
Veteran
Saw it at Lucas in SF today. For sure beat my expectations. It's a big,. fun, popcorn movie that won't ask much of you except to enjoy the utterly predictable but fantastic ride.
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After seeing the film I was playing games online with a bunch of guys and told them that my wife saw the film and she said it was really good. So we start talking about it. All the players were surprised to hear that the film was good. They said that they had no intention of seeing the film based on the advertising. Their impression was that it looked like another dumb Michael Bay Transformers film. Maybe word of mouth will help.
This movie is a cross between Godzilla and Transformers, all VFX and explosions, but no real story. Perfect for 11 year olds. Unfortunately lots of movies are made these days aimed at 11 year olds.
That's because they had the munchies.It's a pretty silly movie. The audience that I saw it with was laughing at most of the dramatic moments. Such a goofy movie!
JCS, gotta say I strongly disagree with you saying there's a solid story here.
This movie was great to see in 3D, big dumb fun. The several corny 'emotional' bits were cringeworthy though.
VFX were amazing.
3/5
EDIT: oh and was that the worst overdone Aussie accent ever? It's in the running at least.
I'm a fan of the hero's journey. I like it as a formula and it's the basis for many if not most of the movies I like. However, when it's done well you have to look back at the movie to see the formula. This one was like it was a check list of elements and beats of the hero's journey. Those beats absolutely work
They don't work here because they don't follow through on them. As I mentioned in a previous post, they laid the groundwork for Charlie Hunnam's character being this reluctant hero in the opening scenes. His brother dies while they are connected in the drift, and he doesn't want to go back into a suit because he's afraid of that happening again. But it only takes Stacker one scene to convince him to get back into a suit. And then, that's pretty much it. This is what the movie should have focused on more, Charile's reluctance to get back into the cockpit and his emotional difficulties. There should have been drama as to whether or not he could be an effective pilot again. There isn't. He's pretty much awesome as a pilot all the way to the end. This is why his story feels flat and unengaging to people, because it is, and since he's the lead character, the movie feels flat. A movie with a similar arc that works would be Top Gun. Maverick is a a cocky pilot. His partner dies. He has a major crisis of confidence, and the climax of the movie is focused on wether or not he can get over it to save the day. I'm not going to claim Top Gun as some great masterpiece (although to some it is), but in this aspect it is very effective because it takes its emotional conflicts to their darkest point of crisis. The only emotional conflict in Pacific Rim is with the Japanese girl, which is why she should have been the lead. Pacific Rim is a bunch of half-baked concepts stitched together with jaw dropping special effects and production design.
In the end, it's art. I had low expectations and walked out entertained. No analysis during the movie; just watched and enjoyed the silly spectacle.
Well it's not like I sit there and analyze the movie while it happens. I always want to be totally absorbed in the story. When I don't feel it, I think about why the film didn't work for me after it's over to try and understand why.