Barry_Green
Moderator
32 minutes of DVCPRO50.
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
I worked on a documentary shoot earlier this summer. We went through 52 card loads in four days. It was a nightmare keeping up with two HVX200 cameras shooting cards as fast as I could download them, reformat them, and get them back to the two shooters (the director and cinematographer). I was working as media manager about 50% of the time. P2 is great, but for high shooting ratio doc shooting you either need a zillion cards or a media manager handling downloads. It worked out well from my perspective (no problems, though I did a unix file system level binary compare on the card transfers prior to formatting a card just in case). The director liked P2, but was concerned about the added cost of a 50% full-time equivalent crew person doing media management. 16G cards will help this.MotionMagic said:[...] Any documentary shooters using the HVX? How are you recording if you are?
Why?pkendall said:what a nightmare the transfer time must be for the new 16gb cards... i hope they sell new p2 stores with bigger hard drives..
THoff said:Why?
Larger capacity P2 cards reduce the frequency with which you have to swap, offload, and catalog. If anything, the larger capacity cards will reduce stress and the workload.
MotionMagic said:Thanks. I really hope either the CinePorter or 16GB cards get here fairly soon. Any documentary shooters using the HVX? How are you recording if you are?
Green Hornet said:You really need 3 cards....2 in camera, one offloading.
It takes a long time to offload, about as much time to shoot (if shooting continuously).
cinemakinoeye said:The director liked P2, but was concerned about the added cost of a 50% full-time equivalent crew person doing media management. 16G cards will help this.
GaryCT said:This will be my first official use of the HVX—wish me luck.
DavidBeier said:Same reason that as of a month ago some were still paying $550 for 1 gig but $1300 for an 8 gig. For some people being able to have more space in the camera at a time is worth it even if you are paying more per gig. Not me though, I currently only have 4 gigs and won't use 8 gigs untill the price is reasonable (around when the 16 gig comes out).
THoff said:I'm not sure where you made the leap from 32GB to 500GB -- did you mean Gigabits (Gb)? Also, P2 already does 100+ Mbps, it has to because that is the bitrate for DVCProHD..
As a backup plan, I'll be selling a kidney or possibly a limb ( whichever fetches more ) and buying three 16GB cards if the CinePorter does not come through by November. If the 16GB cards aren't here by then, I'll go with three 8GB. I just hope the film gods come through with the CinePorter.:nads:
With a P2 Store or a properly functioning PCMCIA/PCCard slot equipped laptop, you should have no trouble offloading the P2 contents faster than you can shoot, especially if you shoot in a native mode.