rafaeldelauz
Well-known member
Hey DanHi Paul:
I completely understand your position and respect it. As a freelancer, I am in the same position, I am hired almost completely from recommendations from colleagues and satisfied clients. The testimonials and passion from your satisfied customers makes it obvious that you are a person of integrity and that The Sound Room has a very good reputation.
Rafael, I too have read many of those posts and content and I think that is the reason that I approached the whole Oktava issue with my skepticism perhaps too sharpened. There are very few electronic products that you buy that have what seems to be an entire folklore behind them.
I will also be buying equipment from The Sound Room too.
That's the problem with choosing microphones, these days, they are all pretty good. Of the eleven models I have tested so far, I would be happy with and could find uses for any of them. The good news is, none of the mics I tested were 'bad' or subpar, they all sounded pretty good. It's definitely a buyers market for mics now, prices, for the most part are reasonable and the quality is very high overall.
If you can wait until the end of the month, you will be able to hear multiple audio samples of the Oktava as well as popular mics like the Sennheiser MKH-50 and 60, the Audio-Technica 875r and 4073a, Beyerdynamic 836, Schoeps CMC641 and CMIT5u, Sanken CS-1 and CS-3e and the Neumann KMR81i and you can judge for yourelf. The Oktava sounded very good I thought.
All the best,
Dan
I would love to heard your opinion about matching the Sanken Cs3 and the Cs1. I found the combination of both of them perfect for my documentary shooting work. I use the CS1 as an on camera mic. Cs3 on boom and cs11 on the subject. Wow, now I sounded as a Sanken's commercial. let me make this clear now, I don't work for Sanken