NOH8 Photoshoot, how do lesbians look on an HMC150?

lordambrai

Active member
I was asked to do some videography work for a friend's photo shoot. Figured that "oh it's a photoshoot! No need to bring my own lights cause photographers use plenty of light!" Well my ignorance showed and I realized that lighting for photography and lighting for video is VASTLY different... But it still came out alright I think.

Oh and editing was done using Premiere Pro CS4, ran like a sluggish dream, but I am happy with native editing :happy:

Anyhoo, here it is.

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I AGREE
 
you wouldn't have been able to light them anyways as it would've interfered with the photog's lighting.

looks like he relied on the flash for the key for a simpler setup, not at all helpful to a videographer. =)

too bad you didn't at least have a light on-camera, but i think you still pulled it off with what you had.

at the last wedding i shot the photog actually came to rely on my LP Micro on my camera for additional light as we we're often shooting the same subjects at the same time.
 
at the last wedding i shot the photog actually came to rely on my LP Micro on my camera for additional light as we we're often shooting the same subjects at the same time.

Haha that's awesome! I need to score me a good on light camera, but the season has made me poor ><

I wanted to bring my own lights for interviews, get some 3 point lighting going and all =D It looked OK, but I coulda done better ya know?

Still it was a whole lotta fun. And it was weird being a heterosexual male looking at a lesbians pose all day, especially when all the models from Manhattan showed up!
 
I was asked to do some videography work for a friend's photo shoot. Figured that "oh it's a photoshoot! No need to bring my own lights cause photographers use plenty of light!" Well my ignorance showed and I realized that lighting for photography and lighting for video is VASTLY different... But it still came out alright I think.

Well, for the strobes I saw in the clip, probablly even the modeling lights were not fully on, and even then they'd only be perhaps 200W. During the actual shoot, it would have been 'uncool' to have any additional lights whether on the video camera or off... For individual interviews, elsewhere than the photographer's 'studio', lights would have been ok, but then you'd have this sort of jarring difference...

The only think I would have done, was to white balance, to remove the yellow/redish cast, which can be done postproduction...

Or... go monochrome... and use the channel mixer to do the deed... gives it that edgy documentary look...
 
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