Wow, well there you go. Just goes to show how close all these cameras look when viewed in a compressed format. Would love to see the difference (if any) on a big screen. I have always believed its not what you shoot stuff with, it's how you shoot it and set it up. This endless discussions about 2K, 4K, 5K are useful, but in the end, it's the content you're watching that counts.
I couldn't agree more. Although we have the Sony F3 available, sometimes its out as a rental and I have to use the GH2. After watching "Upstream Color" and knowing that it was shot in the same city (Dallas) that I'm in, I figured the GH2 is more than capable if you know its limitations and plan. "Upstream Color" also had a story that I totally was into and forgot all about the camera although that was the primary reason I wanted to watch it.