hoarp001
Veteran
Hi Everyone,
Wayne has been working on his new follow focus (the CINEfocus) for a while now, and I was lucky enough to be the first person to use it on a shoot last week. I took the follow focus on a reasonable budget short film shoot in the UK, for a film called Chickenhawk. Set in Vietnam, but shot in a very muddy clay pit in Milton Keynes, it was a pretty trying shoot for all of us and our gear.
We were shooting with the REDone and Zeiss ZF SLR primes.
A full writeup will follow, but put simply, the Shoot35 CINEfocus is a fantastic unit, with all of the features of the more expensive follow focus devices. It features removable 3D marking rings, an adjustable pointer and a standard acessory port for whips and cranks. The rod mount is simple and clean, and the side to side adjustment is smooth and effective. The whole system locks to the rods with half a turn on one knob.
The new follow focus uses a compleatly new gearbox, designed from the ground up, and does not use a standard off the shelf plastic gearbox like the last one used. This gearbox has zero backlash, absolutly none, and is all of metal construction. The gearbox also has a simple and very effective backlash adjustment screw, which can be used to keep your follow focus smooth after years of use.
The first AC on the film was very impressed, and commented on the build quality of the follow focus, and seemed suprised when I told him the cost. The owner of the camera is so impressed, he would like to be among the first to purchase the unit.
I will be getting Andy (the camera owner) to do a full writeup, as he is much better with words than I am, but this is a very clean little unit, and well worth the money. Having used most of the current Arri focus systems, this follow focus really does not behave any differntly. It is as smooth and as solid as the FF5.
Anyway, until we get Andys full review in, here are some photos
Here we can see the adjustable pointer. The small knurled knob at the top loostens half a turn and the pointer can rotate round the whole knob to any point. you could easily mount the unit upside down on top rails and use the pointer on the other side of the unit. (note all the mud and dust!)
Here I am demonstrating the adjustable pointer. I used two Hocus Products 19mm adapters and two 4inch rods to mount the follow focus to the larger rods. A 19mm version of the CINEfocus is in the pipeline.
The CINEfocus sitting on the Steadicam operators camera cart.
Me making sure Andy tests the CINEfocus correctly, using something I found in the armourers car.
The CINEfocus will be available to order from the 1st of December, priced at £349 which includes 1x lens gear & mini flightcase.
Speed cranks (CINEcrank) will also be available from the 1st, priced at £29.
....any questions?
Wayne has been working on his new follow focus (the CINEfocus) for a while now, and I was lucky enough to be the first person to use it on a shoot last week. I took the follow focus on a reasonable budget short film shoot in the UK, for a film called Chickenhawk. Set in Vietnam, but shot in a very muddy clay pit in Milton Keynes, it was a pretty trying shoot for all of us and our gear.
We were shooting with the REDone and Zeiss ZF SLR primes.
A full writeup will follow, but put simply, the Shoot35 CINEfocus is a fantastic unit, with all of the features of the more expensive follow focus devices. It features removable 3D marking rings, an adjustable pointer and a standard acessory port for whips and cranks. The rod mount is simple and clean, and the side to side adjustment is smooth and effective. The whole system locks to the rods with half a turn on one knob.
The new follow focus uses a compleatly new gearbox, designed from the ground up, and does not use a standard off the shelf plastic gearbox like the last one used. This gearbox has zero backlash, absolutly none, and is all of metal construction. The gearbox also has a simple and very effective backlash adjustment screw, which can be used to keep your follow focus smooth after years of use.
The first AC on the film was very impressed, and commented on the build quality of the follow focus, and seemed suprised when I told him the cost. The owner of the camera is so impressed, he would like to be among the first to purchase the unit.
I will be getting Andy (the camera owner) to do a full writeup, as he is much better with words than I am, but this is a very clean little unit, and well worth the money. Having used most of the current Arri focus systems, this follow focus really does not behave any differntly. It is as smooth and as solid as the FF5.
Anyway, until we get Andys full review in, here are some photos
Here we can see the adjustable pointer. The small knurled knob at the top loostens half a turn and the pointer can rotate round the whole knob to any point. you could easily mount the unit upside down on top rails and use the pointer on the other side of the unit. (note all the mud and dust!)
Here I am demonstrating the adjustable pointer. I used two Hocus Products 19mm adapters and two 4inch rods to mount the follow focus to the larger rods. A 19mm version of the CINEfocus is in the pipeline.
The CINEfocus sitting on the Steadicam operators camera cart.
Me making sure Andy tests the CINEfocus correctly, using something I found in the armourers car.
The CINEfocus will be available to order from the 1st of December, priced at £349 which includes 1x lens gear & mini flightcase.
Speed cranks (CINEcrank) will also be available from the 1st, priced at £29.
....any questions?
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