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Here's S1 with a V-log test. Is this not good enough for TV?
That's what I'm saying. The Mendoza Line - how's that for a sports reference? - is moving lower and lower and pretty soon it would have to slide into a DSLR market.It would be a big deal for sure if any mirrorless camera ever was approved.
A decision like that would have a major impact on many views/opinions.
While the subject is dramatic, I think the exposure and grading could have been much better. I see some burnt highlights and an overall "too contrasty" look in several places.
( but hey it's a new camera with a new LOG, so it's going to take some practice to get to know what it can do )
Thank you. That's just one opinion...I'm sure there are others too.
At the end of the day, the world is going to continue to change in many ways whether we like it or not.
People who truly love making films will not stop making them no matter what (if they physically can).
So true.Netflix is like Mikey from those 1970's cereal commercials - if they like it, everyone better like it. It's a Housekeeping Seal of Approval. It's a degree from Harvard or Yale. It's an All-American. An Oscar winner. Motor Trend Car of the Year. A Michelin Five Star restaurant. Pro Bowl. Hall of Fame. The Best in Show. 90210.
In addition to well-funded narrative series and features, Netflix also produces non scripted work and documentaries. By their nature these productions are smaller and benefit from small, unobtrusive cameras. The approved list can be important for them as well.
Like no other service before it, Netflix recognizes the value of a library of content. It needs to futureproof its library as much as is reasonably prudent. In addition to the finished graded cuts, all productions have to deliver to Netflix the content in RAW or Log form in 4K or greater. This is so that content can be re-finished at a future date in HDR or who knows what.
I just love capturing motion pictures. Something in my brain, our brains.
Maybe it's an escape from reality.
NorBro said:A love for filmmaking is one thing - and that can be personal - but you also can't have people running around shooting with any camera they want if they expect any major distribution.
Can you imagine the new Top Gun or whatever shot on a camera from the 90s? Just wouldn't happen.
There needs to be a visual bar set for the advancement of humanity...now and moving forward.
The only people talking about the Netflix cameras, are the people that shouldn't be worried about it.