Well I will start off by saying "You guys have taken the wind out of my sails", but I thank you all for the responses. Before this post, I was dead set on a FS700, an Odyssey 7Q and something like the MovCam shoulder rig. I do not mind spending the money as long as the camera will do what I want it to do.
To give you a better idea of the types of videos I am currently capturing here is a link to my Vimeo Portfolio http://www.pittsburghbride.com
Although the videos consist of primarily reception footage, I also capture the wedding ceremony (if it takes place "on-site") and also like to get some detail shots of the banquet hall & decorations.
I was set on the FS700 because I really like the idea of being able to capture the slow motion footage, along with the super-35mm sensor and the ability to eventually capture a high quality 422 or 444 image using the 7Q. Right now my Panny AG-AC160A just does not seem to have enough dynamic range/image quality.
Now I am more confused about what to do than before :undecided
Thank you,
Robert Pfeifer
Pifemaster Productions
I think everyone has already stated some very valid points, but I'll toss my hat into the ring of buying the FS700. I've used my FS700 on weddings before, and the results can be stunning. It definitely will add a little more complexity to the shoot, but you've already got the right idea to rig the camera up with a movcam. As a bonus, fully rigged, there will be no doubt in anyone's mind that you're shooting with a pro camera. If you can afford it, I think the footage out of the FS700 will pay for itself quickly, and even better, you'll generate happier clients
My tips for you if you go the FS700 route:
• Don't worry too much about autofocus. To be honest, I haven't used autofocus for weddings in several years, and transitioning over didn't cause huge concerns. Adding depth of field will definitely pay big dividends in your highlight reels. And the O7Q has some amazing focus assists as well. So go for some nice fast primes and get great at pulling focus.
• Tips for shooting super slo-motion at a wedding. 240fps is the money slomo. 120fps is great, but 240fps is when it starts becoming magical. Outdoors 240fps is fine, but indoors, especially in low-light, it may start exhibiting some issues. In addition to being extremely light hungry, you may experience some flickering from light sources at 240fps that cannot be fixed in post. It's also very difficult to see this while recording, so will be something you want to test. If you're in an new, uncontrolled environment, to be safe, 120fps will probably be the max you'd want to go. Your absolute minimum shutter becomes 1/120 and you'd probably want 1/240 if possible. With the right prime lens and jacking up the gain quite a bit, you should be able to pull off some great shots.
• If you can light the floor, all the better. So I would consider budgeting some lights into your kit. Would also recommend testing the lights before buying to see if they make your 240fps flicker.
• If you're ever without the O7Q, plan to take about 45 seconds to record 12 seconds of 120fps slomo. If you're just shooting highlight clips, this shouldn't be a problem, but if you're in a mission critical situation, just get ready for the buffer.
Best of luck!