My first HD100 Footage to share!

I like this lens too.
Sure it has CA issues when wide open at the tele end, but it produces a sharp image with little distortion.

I wish I could afford the 13X.
Hopefully in the near future we will have a lot more options available.
 
Hi! Neopics

Sorry for getting back to you guys so late, it's been busy!

Color sat +1 to +2.
master ped -1 to -2.
Detail was -2 to -7.
Cine gamma yes and no on certain shots.
80A series filters in different strength.
Warming filters- Coral filters- Some times a PL-CIR.
Low-con if needed. I would balance this effect out with ped or crush the blacks as well.
I also use my aperture to alter light values, making the scene slight underexpose to generate darker tones or the reverse.
I would alter the kelvin in camera sometimes!

I applied this exact same principal to the XLH1 and HD100 footage I filmed. However as I do with film or High-end it is never one setting that works for every scene. Or combination of filters. I wish one setting did it all.

Pappas





Neopics said:
Were these done using the default settings or did you make any scene file changes?
 
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I look forward to more lens options too!

Stevet said:
I like this lens too.
Sure it has CA issues when wide open at the tele end, but it produces a sharp image with little distortion.

I wish I could afford the 13X.
Hopefully in the near future we will have a lot more options available.
 
Thanks Emanuel!

Well since I saw the HVX200 film-out and thought it was awesome looking. The HD100 has more res technically, so film-out from the JVC should not be an issue or the Canon which had been proven last month. All three are good cameras that you can't go wrong with. I wish I could get a HVX200 for two weeks. I know I can get beautiful shots with that as well.

Pappas



Emanuel said:
Michael, as I said before, you are one of the most valuable posters around here. A real filmic-footage poster. Not just a bla bla bla HD theoretical poster. I did my guess and I'm proud that I wasn't wrong when I did it, fortunately. Congrats! KUDOS from Europe, :thumbsup: shooter!

EDIT -- BTW, XL-H1@1080/24F or HD100@720/24p to 35mm film-out@big_screen -- what's your bet(ter)/option?
 
Stephen -- LOL!

A Quote of mine from my web site...

""I don't like to have middle of the road images. Take a look at Bob Richardson's work with Oliver Stone
or what the two Scott's do with their films. The works of Vittorio Storaro. Look it what Sigel did with Three Kings,
or what Fincher does as well. From Carrivagio to Sergant they have played a major role at how I feel light and color
needs to be for me. Modern century paintings from Rockwell to Odd Nerdrum play a role too! Very
saturated to black and white, extreme color shifts and values is the way I have been doing it forever. I don't mind
watching middle tone work from other artists, however I can't seem to stay level for myself. If I did,
I would be completely dissatisfied and bored with my work. I like the extremities.
I'm an extremist in nature so it carries over to my cinematography and everything else.""

-Pappas



stephenlnoe said:
Wham! POW! KABOOM!#!@!
Holy Super Saturate Batman!


Riddle me this, what are your settings?
 
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Imagine the picture you would get if you were to rent a real lens with the 2/3 adaptor.

Ya... I love my cam...
 
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