randin
Well-known member
Thanks Anthony and others who complimented the music!
It's interesting, Blaine, that you said the music is a tad melodramatic in the end. I don't entirely disagree, even though I made it.
My original version was much subtler, without the rock elements, then Jason asked me to crank it up a few notches. I personally preferred it going more sparse and a little creepy for the 3rd act there instead of building intensity, but I'm fine with how it ended up and some people seem to really like it.
I mention this for a couple reasons. One, it's just another illustration of the fact that all this film stuff is subject to people's tastes, and two, just to say, that's my job. In the end, a film composer is there to serve the director's vision. I love the challenge of getting into other people's aesthetic to fulfill a part of their vision that they can't do themselves. And it gives me the opportunity to do such different things as 'Memories' one week and 'Sente Sente' the next!
On another subject, in context of a short short like this, I thought it was cool to go with an ambiguous off screen voice rather than showing or explaining it.
It's interesting, Blaine, that you said the music is a tad melodramatic in the end. I don't entirely disagree, even though I made it.
I mention this for a couple reasons. One, it's just another illustration of the fact that all this film stuff is subject to people's tastes, and two, just to say, that's my job. In the end, a film composer is there to serve the director's vision. I love the challenge of getting into other people's aesthetic to fulfill a part of their vision that they can't do themselves. And it gives me the opportunity to do such different things as 'Memories' one week and 'Sente Sente' the next!
On another subject, in context of a short short like this, I thought it was cool to go with an ambiguous off screen voice rather than showing or explaining it.