Jason R. Johnston
Well-known member
Earlier today I half-jokingly opined about the usage of the Lumix DMC-GX8 as a plausible B or C-cam to GH4 and/or DVX200. But, this got me thinking. I remember hearing about a new Lumix camera introduced at IBC 2016 that had some very interesting specs and I was able to find it fairly quickly with Google. The Panasonic Lumix DMC-FZ2500.
The Lumix FZ2500 or FX2000 – I suppose depending on where you are in the world – does support DCI 4K at 24.0 fps, V-Log L, 100-200 Mbps, 120 fps VAR, 10bit 4:2:2 output via HDMI, cinelike profiles, built-in 3-stop ND (read: 3 densities of ND, not including CLEAR, in exposure decreases of 2, 4 and 6 f-stops), mic and headphone jacks and other features that look fairly broadcast-pleasing.
Has anyone thought about FZ2500 as a very affordable B or C-camera to a DVX200 and/or GH4 setup?
I think I'd prefer it's unibody design for run-and-gun situations and interviews over a GH4.
The Lumix FZ2500 or FX2000 – I suppose depending on where you are in the world – does support DCI 4K at 24.0 fps, V-Log L, 100-200 Mbps, 120 fps VAR, 10bit 4:2:2 output via HDMI, cinelike profiles, built-in 3-stop ND (read: 3 densities of ND, not including CLEAR, in exposure decreases of 2, 4 and 6 f-stops), mic and headphone jacks and other features that look fairly broadcast-pleasing.
Has anyone thought about FZ2500 as a very affordable B or C-camera to a DVX200 and/or GH4 setup?
I think I'd prefer it's unibody design for run-and-gun situations and interviews over a GH4.
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