Logarist Color Correction for DaVinci Resolve, Vegas Pro, Final Cut Pro X

On the PMW-F3, I recommend setting Dual-Link & Gamma Select to Video, and customizing the picture profile with matrix set to Standard, and gamma set to Cine1 or S-Log. When Dual-Link & Gamma Select is set to S-Log, the output is in a non-standard gamut that I haven't profiled.
What do you find to be non-standard about it? Can you include F3 S-log output if you get your hands on some raw F3 footage?
 
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