Kit lens?

Zim said:
Also if you use an adapter do you lose anything?
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With an adapter the problem is that you lose the main character as it disappears on the recorded image. You better stick with the lens that comes in the box.:huh: I think... We should test it.
 
I've used the 35-135 for years on my 30D. It's a great lens that won't disappoint. I am however upgrading to the L series just for that extra boost in quality.
 
Can I jump on this thread and ask a question about this lens as well - can anyone tell me a situation where a f stop 3.5 is going to be a liability and I need a faster lens? I don't want to pay tons of money for something that I'll rarely need - yet why throw away the extra money for this lens if I'm going to be grabbing a 2.8 or 1.4 lens for most of my shoots (I shoot primarily short narrative films with limited lighting kits - i.e. 1k max and china balls).
 
the kit lens seems like it would do well in daylight but I will get something better for indoor shots and low light.
 
Yeah - It's usually indoor sets - and like I said a very limited light kit - so what f-stop do you think I should grab...any lens suggestions (looking for a standard mid-range lens and a zoom to cover the rest).
 
I would start with the tamron 17-50 2.8 and a cheap canon EF 50mm 1.8 or 1.4 prime. Just get the best rated stuff you can afford at the focal lengths you need.
 
I'm liking the Canon 28mm f/1.8 with the kit. I'm torn between the Tonkia 11-16 f/2.8 and the Tamaron 17-50 2.8 and am not too sure I need either. I shoot mostly corporate stuff in available office light but the 28mm 1.8 might be all I really need. Thoughts?
 
What would be a good standard lens...28mm...35mm...50mm? I'm now leaning towards just picking up the kit lens and then getting one more that is slightly faster at a mm range that I would use the most (again, narrative stuff - nothing crazy - people in apartments talking etc.) - pardon my ignorance on focal lengths while I sue my film school for just handing us DVXs ;)
 
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