Postmaster
Dark Side of the Camera
I always liked the tonality of Kodachrome film of the 30s and 40s. It had a great color palette. Kodachrome had more poetry in it than other film stock, a softness, an elegance.
I know that it is not entirely possible to emulate the characteristics of Kodachrome in the FS100, but I tried to come as close as possible.
K-Tone Picture Profiles are the first “out of the box” profiles I made. That means, it does not require color grading (of course you can grade it though if you want).
I look at it, as I look at specialty lenses. Some odd vintage glass, that I may find on a flea market for a few bucks and adapt it on the camera for some special looks and shots.
What I want to say is, this is not an everyday production profile. It´s more experimental, vintage, sweet-home-Alabama looking.
I´m not exactly there yet - still needs some work - here is an prototype example:

And here the link to my article.
http://frankglencairn.wordpress.com/2012/01/03/sony-fs100-k-tone-picture-profiles-preview/
I know that it is not entirely possible to emulate the characteristics of Kodachrome in the FS100, but I tried to come as close as possible.
K-Tone Picture Profiles are the first “out of the box” profiles I made. That means, it does not require color grading (of course you can grade it though if you want).
I look at it, as I look at specialty lenses. Some odd vintage glass, that I may find on a flea market for a few bucks and adapt it on the camera for some special looks and shots.
What I want to say is, this is not an everyday production profile. It´s more experimental, vintage, sweet-home-Alabama looking.
I´m not exactly there yet - still needs some work - here is an prototype example:

And here the link to my article.
http://frankglencairn.wordpress.com/2012/01/03/sony-fs100-k-tone-picture-profiles-preview/



