Just got a new camera - Sony F35
- Thread starter macgregor
- Start date
Jusgorilla
Well-known member
Enjoy!
Hunter Hampton
Carbonite Member
This is private so please don't share.
Some shots from a work in progress, strait up raw footage- no LUT. A handful of c300 shots hidden in the mix. Apologies for the bad compression, I wanted a quick upload.
https://vimeo.com/65174353
password: unthink
Again Shhhhhhhh!!!!
Some shots from a work in progress, strait up raw footage- no LUT. A handful of c300 shots hidden in the mix. Apologies for the bad compression, I wanted a quick upload.
https://vimeo.com/65174353
password: unthink
Again Shhhhhhhh!!!!
Jusgorilla
Well-known member
Lovely stuff there Hunter! Enjoyed that. C300 for into the sun stuff? and maybe the night shots?
Hunter Hampton
Carbonite Member
Thanks! Yeah just c300 on the night stuff and for a few tight shots.
Hunterqual
Active member
Terrific! Great choice of music, too.
Jusgorilla
Well-known member
did you have the smear reducer on for those "sun through the trees" shot? Didn't see any smear.
Hunter Hampton
Carbonite Member
Thanks Jon! I wish we could use that song but were doing original music. I just wanted to put some shots to music to reference while the music is being composed.
Jusgorilla- no I didn't have the smear reducer on- I should have as it did show up in some shots.
Jusgorilla- no I didn't have the smear reducer on- I should have as it did show up in some shots.
mlysbakken
Well-known member
That's some really beautiful footage, Hunter! And lovely kids
Edit: We're slowly but surely filling the web with F35 footage. High time!
Edit: We're slowly but surely filling the web with F35 footage. High time!
Hunter Hampton
Carbonite Member
Thanks guys! Sam- I'm using a vintage set of zeiss stranded speeds that I rented from "Hunterqual" in this thread. I'm having a Nikon mount made but it isn't done yet. I'll try to upload a few stills with LUT applied tonight when I get home.
Hunter Hampton
Carbonite Member
I love how this camera produces images- pleasing saturated accurate colors and nails skin tones every time:
(s-log @ 450, alexa LUT applied)
(s-log @ 450, alexa LUT applied)
keithlango
Well-known member
Just wondering, did you ever find a fix for this?
keithlango
Well-known member
I just weighed my set up today. Clocked in at 26.2 lbs. with my Red 18-50 zoom, 190wh battery, FF and Samurai. Add about another 2 pounds when I use a matte box. Happy I managed to keep it under 30. heh. I can see the attraction of putting the batteries and recorder on a belt and running cables when on the shoulder. Might go that road myself.
I'm using the Lanpart V-lock shoulder pad/tripod mounting thing, so it's pretty much the same on sticks or on the shoulder.
keithlango
Well-known member
Good gravy, that stuff is beautiful, Hunter!!
Andrew Stone
Veteran
Great stuff Hunter. How was handbombing the F35?
Unbelievable how natural the footage is. I can see why this camera was so popular in advertising. Everything in natural light looks "authentic and natural".
Unbelievable how natural the footage is. I can see why this camera was so popular in advertising. Everything in natural light looks "authentic and natural".
macgregor
Veteran
So I got this message from Hunter last night:
Do you think maybe there is just a way to build a special LUT to offset the f35 preset daylight vs trying to tweak in camera?
YESSS! Why didn't I try this before???? Of course it's possible. Not only possible but much more convenient, because I'd rather keep the camera in CINE EI than having to mess with WB offsets. So I grabbed those same tests I posted a couple days ago and developed a new LUT for Davinci Resolve based on the previous macgregor Slog LUT posted here. The new one adds a WB offset to get more neutral colors from the daylight preset. This should save a lot of time in post as you can expect. And here it is!
https://dl.dropboxusercontent.com/u/13362047/Slog LUT daylight balanced_2.cube
Slog / slog macgregor_12.cube / Slog LUT daylight balanced_2.cube
I'd love if you people could give it a try to test if you're getting more neutral colors under the Daylight preset. Hunter, it is your turn now to apply this LUT to your footage. :happy:
Do you think maybe there is just a way to build a special LUT to offset the f35 preset daylight vs trying to tweak in camera?
YESSS! Why didn't I try this before???? Of course it's possible. Not only possible but much more convenient, because I'd rather keep the camera in CINE EI than having to mess with WB offsets. So I grabbed those same tests I posted a couple days ago and developed a new LUT for Davinci Resolve based on the previous macgregor Slog LUT posted here. The new one adds a WB offset to get more neutral colors from the daylight preset. This should save a lot of time in post as you can expect. And here it is!
https://dl.dropboxusercontent.com/u/13362047/Slog LUT daylight balanced_2.cube
Slog / slog macgregor_12.cube / Slog LUT daylight balanced_2.cube
I'd love if you people could give it a try to test if you're getting more neutral colors under the Daylight preset. Hunter, it is your turn now to apply this LUT to your footage. :happy:
Last edited:
Hunterqual
Active member
Ok, I just tried it with some natural light test footage I had (ProRes HQ). Since sunlight varies wildly in temperature depending on time of day, I'll say that this was shot around 3pm.
Slog
slog macgregor_12.cube
Slog LUT daylight balanced_2.cube
To me, I prefer the warmer look here. I think I'll go between these two LUTs (and the Alexa one, which seems to be punchier for quick grades) depending on the time of day captured.
Slog
slog macgregor_12.cube
Slog LUT daylight balanced_2.cube
To me, I prefer the warmer look here. I think I'll go between these two LUTs (and the Alexa one, which seems to be punchier for quick grades) depending on the time of day captured.