My production company owns the DVX100, HVX200 and the HPX300. We use the DVX100 for about 70% of the projects and shoot the majority of our projects in DV 60i.
Camera choice and format always comes down to budget. Also have to consider the broadcast format, options for syndication, DVD/Blu-ray markets, foreign markets.
From what I can see of the show on FX, a micro-budget series, they made a good choice using the DVX100. It is a camera that works well in low light, has a good image and is the best bang for your buck. Let's face it, cast and crews don't work for free.
Camera choice and format always comes down to budget. Also have to consider the broadcast format, options for syndication, DVD/Blu-ray markets, foreign markets.
From what I can see of the show on FX, a micro-budget series, they made a good choice using the DVX100. It is a camera that works well in low light, has a good image and is the best bang for your buck. Let's face it, cast and crews don't work for free.
