ahalpert
Major Contributor
I've learned that modes of interpretation and specific observations that I thought were universally accepted are not. But that doesn't change how I look at media, just how I look at the audience.And so what have the two of you learned from this discussion?
I was thinking about this discussion while watching The Beekeeper with Jason Statham. On the surface, it's an action film about avenging the vulnerable. It's funny because it's not a movie rife with symbolism or any other subtext. It's a very flimsy script. Except for the central metaphor about society as a hive and the vigilante as a beekeeper who protects it. They've hammered this metaphor home about a dozen different ways in the hour I've watched so far. I used to think that they had to make artlessly explicit explanations of metaphors so that children would understand them but now I realize they're also trying to reach symbolism-resistant adults.
Why is Statham an actual beekeeper as well as a retired agent who held the role called "beekeeper?" No idea. Except to drive the metaphor home further.
And perhaps so we get to see him work as a tradesman. The deeper levels in the film play out in associations of class and culture politics. Statham wears a trucker cap and drives a beat up pickup truck. The bad guys are young white office workers and a wealthy heir.
The woman he's avenging is African-American. Her daughter has a sizable and complex role as an FBI agent.
His secret agent successor who he defeats after they're sent to stop him is gender-fluid, blue-haired, and wears a pink trench coat and high heels.
So you get the benefit of diverse representation and yet the white guy always comes out on top. Everybody wins.
Statham himself, with his baldness and reluctant heroism, has always represented a kind of beleaguered responsibility to me. The tough guy with a heart of gold. I rewatch his filmography every few years.
Different stories communicate in different ways at different times. The construction of meaning is fluid and variable and you have to listen to how the story is trying to speak.