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It looks like Pany is advertising a switchable NTSC/PAL HPX-170 in their insert add in this months Studio Monthly.
Think this will make it through to delivery?
(isn't that called false advertising if it does not wind up in production?)
It looks like Pany is advertising a switchable NTSC/PAL HPX-170 in their insert add in this months Studio Monthly.
Think this will make it through to delivery?
(isn't that called false advertising if it does not wind up in production?)
Yes, there is safe margins available on the HVX.I've only owned the DVX100B so I don't know if this was addressed or not in later cameras like the HVX (I think the original DVX had this too), but is there anyway we can get some 16x9 and 4x3 action safe margins for broadcast put onto the LCD or something? I know you can buy some to stick on, but it seems like something that should be on any professional camera. Even if it's just little corner marks or something.
And so again, it isn't going to change and so you will need to ready yourself for a completely different experience that shooting with DVCPRO HD and a CCD.
Best regards,
Jan
It is very disappointing that Panasonic doesn't really listen to his customers.
Ok, the EX1 use a CMOS and HDV but offers so new great features : 1/2" and full HD chip, Great LCD, cheap card that you could use directly in the slot of the macbook pro, PAL & NTSC, real iris ring...
I like the hvx200 but it is far from being completed : grain, not enought sensitive, bad lcd, audio levels behind the camera, weak resolution of the chip, very expensive P2 card...
It's so sad that Panasonic doesn't want to improve more than that his camera.
I understand that he doesn't want to make it for the hvx200a but for a new camera as hpx170 it is really pity.![]()