HPX170 First Look

Yet. I haven't given up on that one. It's probably a done deal that it'll be the same LCD panel, but there were some bleeding eardrums around the Panasonic booth when I got done explaining to them just how much we want an upgraded LCD! :evil:

More power to you! That would be a real selling point if they would upgrade the LCD.
 
Ok, so question... is this camera 1080P? I don't see that on any lists but that's what was said. Also, this is a stupid question but can you record 60fps out on SDI out? And if you can, does anybody have a recommendation on what to record onto in the field for SDI out?
 
so what you saying is the flip is only on the LCD and you cant get it through the viewfinder? that sucks, im mean its small but still
 
Hi Guys and Gals,

Keep in mind there were a number of things that we did not get good explanations of due to language differences and misunderstandings and not enough private time to work the answers out through creative translation. There are a number of things I am expecting on this camera but I did not see as we really didn't get the time to explore the camera deeply.

As an example of the odd communication, one of the guys asked if all three of the focus assist functions had to be on and the answer was yes. But the real answer is no. The gentleman that said yes was responding to my request that all three should be up for the show since they wouldn't let us go into the menus. ;-)

The menu button was totally locked out by virtue of a secret code. Taking that idea and making it a part of the wishlist was where I went with it. I do get the request from the broadcast side that they would like the menus to be a little less available to the shooters.

As far as the LCD, I know you all have requested a better LCD, and we have not gotten it, what I did find is that the thumbnail display is a Standard Def Display, and it would take huge amounts of re-engineering to make them HD, or huge amounts of power to make the conversion to HD. I know that I can focus the HPX500 with the histogram in seconds flat, and I find that to be the victory here, we got the histogram in the focus assist. This does reference the point at the cross hair, but since this camera at NAB was not a fully functioning model that wasn't there. So while we didn't get the better LCD, we got a better focus assist.

I need to point out that the HDSDI is an 8 bit signal, not 10 as some might assume. Keep in mind that either works and for evidence, I point to the fact that the HPX500 is 8 bit on its HDSDI. Would I have preferred 10 bit, yes, did I win that battle, no. Next battle. That is what product development is like, each new feature is a battle, like that locking 6 pin firewire.

Probably the easiest feature that we got the design team to implement was the security cable hole for locking down the camera.

This is a pretty cool little camera, and when we get the next one in come July, I will make sure that Barry gets a chance to take a look. I will probably take pictures even. I didn't this time just because there were things that weren't fully in final design stage, like the hinge on the VF or the audio volume control area. So we were looking at a very first working sample that went back to the factory on Friday.

So when it comes in July we will know more, but in the meantime I really appreciate your interest and commentary.

Hope this helps,

Jan
 
Yep, a jib changes everything from "want" to "need".

We have a BTLH80 and BTLH1700w coming this week. They'll be a real help when operating the 15' jib. Prior to that, we would often run a second 1354Q SD monitor for that producer / director / rest of crew who always seem to be standing two steps behind you.

The 1700w has both component and HD SDI input without the $600 card required by the BTLH80.

I'll tell you, the more I hear about the 170, the more I believe it will take the front spot as our primary handheld camera. A single BNC running down the jib (instead of three) will play a huge role in reducing weight and wind-up/bind-up.

That is a stack of features that make it an easy choice over the 200a. I'll talk my remaining clients into HD acquisition over tape.

e
 
As far as the LCD, I know you all have requested a better LCD, and we have not gotten it, what I did find is that the thumbnail display is a Standard Def Display, and it would take huge amounts of re-engineering to make them HD, or huge amounts of power to make the conversion to HD. I know that I can focus the HPX500 with the histogram in seconds flat, and I find that to be the victory here, we got the histogram in the focus assist. This does reference the point at the cross hair, but since this camera at NAB was not a fully functioning model that wasn't there. So while we didn't get the better LCD, we got a better focus assist.

I think, as far as I know, not even the so much acclaimed EX1 display is HD. Just convince them to put the best possible SD LCD on that tiny sexy beast that the 170 seems to be!:thumbsup::thumbsup:
 
jan-

it has been said before but i want u to know,

u are a real asset to this community.

and we are all better off for your continued participation.

having owned the dvx100, the hvx200 and even the sony ex1, i'm really looking forward to the 170.

thanks for all of your effort

be well

rob katz
sweet harvest films
 
that you or anyone else said anything about it being NTSC/ PAL switchable. I just didn't see or hear anything about that except for the poll.
 
Ok, so question... is this camera 1080P?
Yes. So is the HVX200A and the HVX200.

can you record 60fps out on SDI out?
Yes.

And if you can, does anybody have a recommendation on what to record onto in the field for SDI out?
Ah, the main question! Recording HD-SDI is no trivial task. Most people attempting it are using a Kona or BlackMagic card in a desktop computer. There's also a portable Wafian recorder and the new Convergent Designs Flash XDR recorder.
 
so what you saying is the flip is only on the LCD and you cant get it through the viewfinder?
It's a hardware function of the LCD panel. The LCD flips, the viewfinder doesn't. At least, that's how it works on the HPX500... not 110% sure about the 170, but I would expect it to be the same.

Think about it this way too: all the text and everything would be flipped, which would be annoying. With it flipping separately, the LCD gets a full-frame flipped display, and the viewfinder shows the regular display including all menus. At least, I think that's the way it works.
 
that you or anyone else said anything about it being NTSC/ PAL switchable. I just didn't see or hear anything about that except for the poll.
There was a big debate on that at the show. Panasonic's brochure said it was switchable, but the factory reps said "no." It appears that it's possible, so as a base of users we need to tell them how important (or not) this feature is, to see if they can (or will) implement it.
 
ahhh, didn't know that. I'm assuming then from the mixed signals that it's already been implemented at some stage of development. I agree with the poll that it's a shame not to include the feature in this day and age.
 
did i miss something? is this true 1080p and not an up-res?
None of the HVX/HPX cameras do an "up-res". They do all use a spatial offset technique to optically sample the chips into a 1080P matrix. The result is way higher resolution than the chip pixel count would suggest, but not as sharp as, say, an EX1.
 
Thanks Barry.

Gosh an expressSlot card with that would be fantastic! So what is the cheapest field option for recording through SDI? I couldn't find a couple of those companies.
 
Back
Top