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Thanks to your answers I am now slightly less confused about the differences between different generations of this system and hopefully less likely to waste serious money on a joke camera.
This statement from Wikipedia about the DVX100 is what confused me: "The camera records to tape, but third party developers have modified DVX100 cameras to dump raw high definition images to a tethered laptop".
The HMC150, by comparison, feels plasticky and breakable. Mine hasn't broken yet, mind you, but I'm pretty sure the DVX would hold up better under harsh conditions.
Thanks to your answers I am now slightly less confused about the differences between different generations of this system and hopefully less likely to waste serious money on a joke camera.
This statement from Wikipedia about the DVX100 is what confused me: "The camera records to tape, but third party developers have modified DVX100 cameras to dump raw high definition images to a tethered laptop".
The statement about third party developers I believe is in reference to the Andromeda Mod DVX - They actually added a USB port to standard DVXs and developed a way to get the most out of the DVX sensors, which with their software, were able to achieve high def. The drawback is the part about being tethered to a laptop, and that the company that did this mod has since gone out of business. There are people selling Andromeda DVXs with the software, but I'd be worried about the fact that if you have an issue, who's going to help you.
The DVX when properly uprezzed or just SD with the right way to view the footage still looks pretty great IMO, but if you can afford the HMC150 go for that.
Thanks, taking all this into consideration looks like patience is best solution, as I guess unlike Ming Dynasty vases the going rate for a used HMC150 or HMC151 is likely to nosedive sooner or later, even though most people reading this probably hope that don't happen too soon.
Thanks, taking all this into consideration looks like patience is best solution, as I guess unlike Ming Dynasty vases the going rate for a used HMC150 or HMC151 is likely to nosedive sooner or later, even though most people reading this probably hope that don't happen too soon.
The DVX-100 is a hardcore camera. It can take a pretty serious beating and (assuming you upkeep it properly) handle some situations other cameras couldn't. The HMC150, by comparison, feels plasticky and breakable. Mine hasn't broken yet, mind you, but I'm pretty sure the DVX would hold up better under harsh conditions.
OK so nosedive is a bit steep but surely you don't expect the price for used units to go up? Neither does Michael Carter who wrote on this forum a couple of weeks ago: "Well, we recently saw a $200 price drop on the 150 and it could slide down more next year" but maybe Michael you have changed your mind since then or I am quoting you out of context?
...the HMC is probably going to hold onto it's value longer than the DVX simply because it's tapeless. A tape transport will wear out over time. That's a non-issue with the HMC, so it's less likely to need repairs over time unlike the DVX.
I don't think tapeless is nearly as important as the fact that the HMC blows the DVX away by every possible metric (and I loved my DVX). People still grab up DVX from the used market, the tape transport doesn't stop that. (Smart buyers do inquire about hours though). The HMC is a modern camera shooting at modern standards; the DVX is an SD cam with a clunky workflow and compression that gives you very little latitude for grading, keying or resizing (and regardless of what anyone may say about "uprezzing" DVX footage to 1080 - seriously. Come on. I've done it. Please.)
If you can score a useable DVX for under a grand and want to learn to shoot manual, want to learn how to tweak settings, need XLRs, you're doing only web stuff for the time being - hell yeah, it's an amazing, groundbreaking camera that blows away all the consumer DV stuff of the same era and gives you immense control for a beautiful picture (and a really nice audio recording chain to boot). You want to do effects, you want to get paid to do broadcast work... you may have to shoot a little higher.