Snapper123
Well-known member
Hey guys, I'm currently watching a very pleasing-but-natural film called Splinter (2008). As soon as the very first shot came on, I instantly thought that it was generally something that could have been shot on a DSLR - it may not have been, but the color schemes don't look far away from what's seemingly possible with these cameras. If you don't care about the whole film, the first five minutes (gas station, car ride, nature scenes) really show examples of production styles that seem as naturalistic as humanly possible, but simply color graded/shot very well:
(Link removed by moderator)
Some things to notice is how this film doesn't pay much mind to having every spec of detail recovered (trees and things are contrasty), how no fancy techniques are applied to make the actors look pretty (the whole feel of this film looks very flat, but comforting), and how generally, it really seems that the camera is shooting this footage just plain out, bare bones techniques. The cars have quite a bit of shine, the skin tones are flat (but not bad). If I didn't know any better, I'd say it didn't even look color graded. It looks like something you could possibly get right out of camera as long as you knew what you were doing.
So any tips on how to get our footage to look like this? Obviously, this is an acceptable look for outdoor productions, and I think it'd be the type of look that many folks could get out of these cameras if they had the know-how.
P.S. This film was shot on the Alexa, just as a bit of info!
(Link removed by moderator)
Some things to notice is how this film doesn't pay much mind to having every spec of detail recovered (trees and things are contrasty), how no fancy techniques are applied to make the actors look pretty (the whole feel of this film looks very flat, but comforting), and how generally, it really seems that the camera is shooting this footage just plain out, bare bones techniques. The cars have quite a bit of shine, the skin tones are flat (but not bad). If I didn't know any better, I'd say it didn't even look color graded. It looks like something you could possibly get right out of camera as long as you knew what you were doing.
So any tips on how to get our footage to look like this? Obviously, this is an acceptable look for outdoor productions, and I think it'd be the type of look that many folks could get out of these cameras if they had the know-how.
P.S. This film was shot on the Alexa, just as a bit of info!
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