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Can the GH2 be hacked or is it possible that Panasonic has made it impossible? And as far as that's concerned I heard that the later GH-1's currently aren't hacked. Is that because it's not possible or just because no one has done it.
Post in separate thread.
As no one here is interested in some color corrected and transcoded footage.
Read the GH1 "unable to hack firmware FAQ":
http://www.dvxuser.com/V6/showthread.php?t=218001
Concerning the GH2, whether or not it can be hacked depends on Panasonic releasing a publicly available firmware update at some unknown future date. So, until that happens, it's somewhat uncertain. But likely, eventually.
Meanwhile, the GH2 appears to have many, many very useful features as-is.
Well if he has the original file to do the color correcting then I definitely would be interested. Anyone have the source for that video?
I'm inclined to disagree with dpreview's assessment:
Each field in a 60i video stream contains only 540 scan lines - half the 1080p FHD vertical resolution of the sensor. If the GH2 is recording its 60i stream from a sensor that is being sampled at 60fps, then it is recording with a vertical resolution of only 540p. While these 60i fields interleave into a 30fps sequence with a vertical resolution of 1080i, it is NOT 1080p, it is interlaced video and there is no pixel-accurate pulldown process which will produce even a native 30p stream, much less 60p video. It is inevitably 1080i60 footage and there is no legitimate way to make it progressive.The GH2 offers a similar video specification to the GH1 but with one important difference - the sensor no longer doubles-up its sensor output in order to create its highest-speed video (the GH1 sensor could capture at 24 or 25 fps, which was then put out as 60i or 50i footage). Instead, the latest sensor can capture progressive (whole frames) at 60 or 50 fps. Its output is still limited to 60i or 50i because there are no common ways to distribute 60p or 50p footage, but this should certainly improve the output quality.
This would apply to PAL 50i streams as well, and if that is the way the camera scans the sensor, there would be no way to film in true 1080p25, only in 1080i50.
According to the product pageI am most excited about the HDMI output while shooting. I can't wait to test shooting directly to a AJA Ki Pro mini.
The HDMI output function requires the optional RP-CDHM15/CDHM30 mini HDMI cable. The output resolution of the DMC-GH2 can be selected as 1,080i, 720p or 480p (576p in PAL system). Please confirm that the TV you are connecting to has an HDMI input terminal compatible with the selected signal. Depending on the cable used, some functions may not be possible. Panasonic HDMI cables are highly recommended.
HDMI recording to the Ki Pro at 1080i would mean I would have to my old pulldown removal work flow to get 24P. That kinda sux. One day the world will be free of interlaced video and on that day, I shall rejoice.According to the product page