Thanks guys and thanks for noting and commenting on the tedious of it.
This has actually turned out to be much more rewarding than I expected though, so it's been fun finally getting it all posted.
Ok ... done some editing on the tutorials, will continue to refine.
Basically I'm recommending the all in one Compressor method over the Cinema Tools / Compressor Method and the Cinema Tools / FCP method.
Reason being in the other two methods you have to manually record and enter the duration for everything whereas, by setting the duration to "100% of Source" in Compressor in Method 1, all of the duration determining, noting, and entering is done for you - something you would have to do manually in either the Cinema Tools / Compressor version or the Cinema Tools / FCP version for each and every clip.
In Compressor
"BEST-MOTION COMPENSATED" will get you the best conversion but is 2.5 times slower than
"BETTER-MOTION COMPENSATED" which will still use the Optical Flow technology of SHAKE but render much much faster and probably be indistinguishable from "BEST"
and
"GOOD-FRAME BLENDING" obsoletes the Cinema Tools /FCP method which uses frame blending and would be the fastest method except for entering and processing each clip manually. So the all Compressor Method with the "Good" setting would be the same as doing it in FCP but you can batch everything and have it all automated.
For my workflow I'm going to try the "BETTER" setting in the all in one COMPRESSOR method.
This has actually turned out to be much more rewarding than I expected though, so it's been fun finally getting it all posted.
Ok ... done some editing on the tutorials, will continue to refine.
Basically I'm recommending the all in one Compressor method over the Cinema Tools / Compressor Method and the Cinema Tools / FCP method.
Reason being in the other two methods you have to manually record and enter the duration for everything whereas, by setting the duration to "100% of Source" in Compressor in Method 1, all of the duration determining, noting, and entering is done for you - something you would have to do manually in either the Cinema Tools / Compressor version or the Cinema Tools / FCP version for each and every clip.
In Compressor
"BEST-MOTION COMPENSATED" will get you the best conversion but is 2.5 times slower than
"BETTER-MOTION COMPENSATED" which will still use the Optical Flow technology of SHAKE but render much much faster and probably be indistinguishable from "BEST"
and
"GOOD-FRAME BLENDING" obsoletes the Cinema Tools /FCP method which uses frame blending and would be the fastest method except for entering and processing each clip manually. So the all Compressor Method with the "Good" setting would be the same as doing it in FCP but you can batch everything and have it all automated.
For my workflow I'm going to try the "BETTER" setting in the all in one COMPRESSOR method.