Chris_Keaton
ScriptFEST Mod
Here are some things I've noticed in a few screenplays.
* Too much detail and excessive prose. Some of these could be shorter and tighter if it weren't for this. If your action blocks are 5 lines or more then there is a good chance that it's crammed with to much crap or it needs to be two blocks. Think of an action blocks like a snapshot of what the camera is seeing. If you are focusing on two different character's actions then this should be two blocks, unless you intend for them both to be in the scene at the same time. Oh, and you aren't writing a novel so only write what you can see and do that in as little words as possible.
* Keep your action active. Lose 'IS', 'BEGINS', 'STARTS', and most words ending in 'ING'. Mind your tense, everything is a film is happening now. This keeps your writing interesting and compelling. We can't see someone start something, but we sure can see them DO something.
* Lose adverbs. They are rarely helpful and most of the times not even needed. If they are needed rewrite until they aren't.
* I know a lot of you may be thinking of filming your screenplays which are great, but keep all the camera direction and stuff out until you write the shooting script. This is a distraction from your story and you have to sell your story first.
* Formatting guidelines can be found in any book or self-help site, so I won't bother with that. There were, I think, a couple screenplays that cheated their margins to fit in ten pages, but if the writer would have headed some of the advice above this wouldn't be necessary. And frankly I find if I have to trim my pieces down within a certain time limit I usually end up with a better product.
That's all for now. Anyone have any more general feedback?
* Too much detail and excessive prose. Some of these could be shorter and tighter if it weren't for this. If your action blocks are 5 lines or more then there is a good chance that it's crammed with to much crap or it needs to be two blocks. Think of an action blocks like a snapshot of what the camera is seeing. If you are focusing on two different character's actions then this should be two blocks, unless you intend for them both to be in the scene at the same time. Oh, and you aren't writing a novel so only write what you can see and do that in as little words as possible.
* Keep your action active. Lose 'IS', 'BEGINS', 'STARTS', and most words ending in 'ING'. Mind your tense, everything is a film is happening now. This keeps your writing interesting and compelling. We can't see someone start something, but we sure can see them DO something.
* Lose adverbs. They are rarely helpful and most of the times not even needed. If they are needed rewrite until they aren't.
* I know a lot of you may be thinking of filming your screenplays which are great, but keep all the camera direction and stuff out until you write the shooting script. This is a distraction from your story and you have to sell your story first.
* Formatting guidelines can be found in any book or self-help site, so I won't bother with that. There were, I think, a couple screenplays that cheated their margins to fit in ten pages, but if the writer would have headed some of the advice above this wouldn't be necessary. And frankly I find if I have to trim my pieces down within a certain time limit I usually end up with a better product.
That's all for now. Anyone have any more general feedback?