GH5 Game Over, Panasonic

There have also been speculation and reports that the sensor stack "issue" impacts speedboosters. I have not found this to be a big concern. There does seem to be some additional CA-like fringing wide-open, but it is gone even stopping down a little bit. For comparison, GH5 and P4k, same position, same adapter, same lens:

gh5_1.5.jpg


p4k_1.5.jpg


Stopping down to see difference:

p4k_2.8.jpg


p4k_4.jpg


Again, I don't see a meaningful difference. The lens is inherently softer wide open, and sharpens up nicely by f/2.8
 
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^^^ I think the Speedbooster offers micro adjustments to dial it in better, but I haven't messed with that yet. I don't own the Ultra or the PCC version, so I can't speak to them.
 
The sensor stack thickness problem shows up on a variety of wide angle lenses, large aperture at or near infinity focus. If you focus on the center of the frame, the edges are blurred. If you focus on the edges, the center is blurred. And the lens witness marks do not line up.
 
The sensor stack thickness problem shows up on a variety of wide angle lenses, large aperture at or near infinity focus. If you focus on the center of the frame, the edges are blurred. If you focus on the edges, the center is blurred. And the lens witness marks do not line up.
I've tested that, too:

Rokinon Cine 14mm f/3.1 (wide open)

P4K
p4k.png


GH5
gh5.png


It's true that the marks aren't accurate, but they aren't on the GH5, either. Again, I *think* it can be calibrated to get a tighter tolerance if that is important to you.
 
Use wider, faster glass I saw as the advice the poster took you to school on. As long as people defend this problem, there will be no incentive to fix in the current generation. Good news for BMD, they will get a pass at the expense of early adopters, as before.
 
Its true that Blackmagic cameras have no anti-aliasing filter. But they do have an IR blocking filter and a coverglass. The total thickness of those two pieces of glass is 2.4mm, which is 1.6mm less than the 4mm of glass found in standard m4/3 cameras. That 1.6mm difference is a problem, and causes high speed m4/3 lenses to perform less well on BM cameras than they do on regular m4/3 cameras.

-Brian Caldwell (aka ‘Brian1959’)

http://www.dvxuser.com/V6/showthrea...ummary&p=1986466404&viewfull=1#post1986466404


”Standard Micro Four Thirds cameras have a total of approximately 4mm thickness of filter glass near the sensor, and the Speed Booster ULTRA m43 is designed to work optimally with this thickness of glass. The Blackmagic Cinema Camera and Pocket Cinema Camera have substantially thinner total filter glass thickness, which may cause noticeable aberrations when the Speed Booster ULTRA m43 is used on Blackmagic cameras at large apertures. For best results on Blackmagic cameras it is recommended that the appropriate Blackmagic-specific Speed Boosters be used.”

http://www.metabones.com/article/of/Speed_Booster_ULTRA_0.71x

On the BMCuser forum John Brawley speculated that BlackMagic could have modified the Focal Flange Distance of the P4K to account for the difference in Sensor Stack thickness, which would be a clever solution, but there are threads on that forum where some owners are experiencing issues that suggest BlackMagic may not have.


Let’s be REALLY clear.

The thickness difference only causes issues when trying to use fast 135 format (F1.2) primes and a speedbooster. You do all realise that you’re ADDING an extra optical element when you use a speedbooster yeah ?

There’s no problem with “fast” native MFT lenses.

And by the way, there’s no standard thickness. Panny and Olympus are both different to each other.

FFD (if lenses hit infinity) is a different issue.

JB
 
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Use wider, faster glass I saw as the advice the poster took you to school on. As long as people defend this problem, there will be no incentive to fix in the current generation. Good news for BMD, they will get a pass at the expense of early adopters, as before.
If Metabones wants to make a specific version optimized for the P4K, yippee. But if you have to go wider and faster than 14mm f/3.1 to experience a meaningful problem, then it's not a practical concern for me.

PS. That original poster concluded: "Thank you all for your contribution ! The samples provided by joe12south are very interesting ! There's obviously not much difference between the gh5 image and the P4K ! It's a good thing I guess... Even though both look very soft on the edges."
 
If Metabones wants to make a specific version optimized for the P4K, yippee. But if you have to go wider and faster than 14mm f/3.1 to experience a meaningful problem, then it's not a practical concern for me.

PS. That original poster concluded: "Thank you all for your contribution ! The samples provided by joe12south are very interesting ! There's obviously not much difference between the gh5 image and the P4K ! It's a good thing I guess... Even though both look very soft on the edges."

Joel12south thank you . You are great.
 
PS. That original poster concluded: "Thank you all for your contribution ! The samples provided by joe12south are very interesting ! There's obviously not much difference between the gh5 image and the P4K ! It's a good thing I guess... Even though both look very soft on the edges."

Baghdad-Bob.jpg



I'm trying to isolate the softness from the lens versus softness from the camera. Since both my Laowa 7.5mm and Samyang 12mm can focus at f/2 evenly across the frame on my GX85, it should also be able to do the same thing with the BMP4K. I don't think it has to do with digital sharpening either, since I can get the edges to focus on the BMP4K at the expense of center sharpness (I've posted examples of this in my first post as well). It's just odd to me that I can't get these lenses to focus evenly across the frame on the BMP4K, but they work perfectly fine on my GX85.


Another reason why I think it's the sensor stack on the BMP4K is because the witness marks/focus scale is off when I use my lenses on the BMP4K versus the GX85. If I set the lens to infinity (based on the witness mark), then the lens will actually be focused to infinity on the GX85, whereas on the BMP4K, it's off by a few degrees.


I actually rented the GH5s a few weeks ago and used it on my Crane with the Laowa 7.5mm. I was able to shoot indoors at f/2 without any of the soft edges that I'm getting with the BMP4K.

I confirm the problem. Very soft edges with a 12mm Rokinon lens. This lens is absolutely fine. Not only is it sharp corner to corner at f2 on a GH5, but also on a full APS-C size sensor. What you are seeing is properly called 'curvature of field', where the center is in focus and the edges are not, and then vice-versa. Obviously the glass on the sensor is causing the problem. It appears to only affect wide angle lenses. My 21mm Rokinon f1.4 is fine on the Pocket 4K. It will be interesting to know if there are any lenses 12mm and wider that work correctly on the Pocket 4k.

Yep, definitely sounds like a Pocket 4K issue, cause this lens is fine @ f2 on my GH4 and original pocket.

It appears Blackmagic let one slip through the cracks here. I wonder if this is something that could be fixed in a future revision of the sensor.

I just canceled my preorder because of this thread. I use wide angle lenses a lot (I have web series which are basicaly based on using uwa lenses). I will wait and try it later in shop with speedbooster and some uwa lenses. Is this issue same on UMP?

Looks like R_____ from a few responses back has confirmed it with the same setup as me.

The GH5S looks sharper on the edges, because the camera is compensating for this with its “sharpening/detail) setting which can not be completely turned off, as it can on the PC4K.

If you look at the sample images, you will see that :
a. this is not something software sharpening can fix
b. this is not because of a wider image circle

This is most definitely a BMP4K problem and not a lens issue. To repeat for those who might have missed it in my earlier post - the 12mm Rokinon lens which results in curvature of field on the BMP4k, attains perfectly flat focus across a much larger APS-C sensor. I've used the exact same physical lens on a Sony A7s in APS-C mode with no problems whatsoever.

The edge blurring on the BMP4k is dramatic and basically ruins the picture at this focal length.

Wow. That's not good at all.
Will be watching how this unfolds before getting one, thanks for your testing.
 
While maybe there is some possible theoretical issue, I have not seen one in practice. The fastest MFT lens I own is the Lumix 25mm f/1.7. Here it is mounted on the P4k, wide open:

p4k_mft_1.7.jpg


Anyone who owns this lens knows that the CA you see is inherent in the lens, regardless of the camera.
Thanks, Joe.
 
I think something we see a lot from early adopters and people with cams from different brands is super unhealthy. It reminds me of the "console wars" teenagers still argue about. PS4 vs Xbox vs PC. It's pretty silly as an adult... yet here so many people are (not referring to anyone here, just a very general observation on the market), feeling the need to either be all in and defend Panasonic or BMD for whatever reason. Part of that is probably the way other people jump on any perceived faults or admissions to bolster their side, as if there is actually a side to take here instead of just objective realities. None of us are defined by the cameras we choose, they are just tools, all of which have imperfections.

Ok, so this is interesting. The pocket 4k may have issues with wide angle lenses, which may be because the differing sensor stack size is very subtly warping the way the light from the wide angle glass is being pulled in. Is this only happening on adapted lenses? If so, a dedicated speedbooster would "fix" this issue. Not because it's a flaw but perhaps just because it's a different design than the sensor stacks by Panny/Oly. And depending on the user, this may be a non issue to them as it might be subtle enough or reserved for those extreme wides that some people might not use as much, thus meaning they could continue using the "unoptimzed" speedbooster for most things?

Am I understanding that correctly?

If so, the way I see it is we are waiting on an official speedbooster for the Pocket 4K sensor stack size and the bonus is, the current one works well for most things.

Now, I am also confused as some mentioned native MFT exhibiting these issues as well. Well, I guess this makes sense - the huge market share is Panny/Oly, so Laowa for example would have designed their UWA lens to perform optimally on these cameras and their associated sensor stack size. And I suppose you would notice the difference here much more so than standard focal lengths. Well, if so, the way I see it is - that's ok.

Perhaps one compromise with the BMD Pocket 4K is we don't use native UWA lenses on that camera unless we are willing to purchase and use a yet developed lens correction plug in that someone will probably make and live with the results. Or, we just use UWA on adapted lenses only ONCE the official speedbooster dialed to the proper sensor stack width is released.

Unfortunate, sure, but really this all makes sense. It is too bad BMD didn't factor this in, if it truly is resultant of just the sensor stack, and try to match what the existing mass market share currently is (sure, there's no official standard - but unofficially...).
 
The pocket 4k may have issues with wide angle lenses, which may be because the differing sensor stack size is very subtly warping the way the light from the wide angle glass is being pulled in.
All the claims listed in this forum refer to the 2k pocket camera.
Right now it seems nothing more than wild speculation to suggest the 4k pocket has the same issues.
 
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On a related note; I wonder why Panasonic & Olympus chose to use such a thick Sensor Stack?

Perhaps is was to minimize the appearance of dust on the sensor, especially as the sensor is relatively small. My first dSLR was a Canon D60 (APC-C 6 megapixel CMOS) & I never had an issue with dust. About a year later I switched to the Canon 1D (APS-H 4 megapixel CCD) & suddenly dust was a huge issue. Supposedly the D60’s Sensor Stack was relatively thick to counter the appearance of dust, but that may just be a rumor.
 
On a related note; I wonder why Panasonic & Olympus chose to use such a thick Sensor Stack?

Perhaps is was to minimize the appearance of dust on the sensor, especially as the sensor is relatively small. My first dSLR was a Canon D60 (APC-C 6 megapixel CMOS) & I never had an issue with dust. About a year later I switched to the Canon 1D (APS-H 4 megapixel CCD) & suddenly dust was a huge issue. Supposedly the D60’s Sensor Stack was relatively thick to counter the appearance of dust, but that may just be a rumor.

Couldn't they just move the filter away from the sensor to achive this ?
 
Ultra wide angle lenses tend to have noticeable geometric distortion, approaching that of fish-eye lenses. It's not surprising to hear of focus field distortion as well, particularly at the fastest apertures. But with their inherently broad depth of field, shouldn't it be easy to find a sweet spot where both center and edges of the cropped lens circle are in focus?
 
All the claims listed in this forum refer to the 2k pocket camera.
Right now it seems nothing more than wild speculation to suggest the 4k pocket has the same issues.
There's actually someone who has tested several lenses on the P4K. His results:

Have issues
Laowa 7.5mm f/2
Samyang 12mm f/2
Tokina 11-16mm f/2.8

Do not have issues
Panasonic 20mm f/1.7
Panasonic 25mm f1/7
Mitakon 25mm f/1.4
7Artisans 25mm f/1.8
Panasonic 42.5mm f/1.7
Sigma 18-35mm f/1.8
 
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