cardmaverick
Well-known member
I watched the clip again... I think what I'm seeing is just plain old HVX 200 noise + a little of what h.264 adds after compression.
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Another good new is that there's some VERY wide shots there and absolutely no sign of vingeting....shot with 14mm prime 17-35, 28-70.
Hey all it's Jonathan Here. HD compression is a skill I'm still learning.Most of that noise you see is plain old starved HVX sensor. The shoot was late in the day 4:00ish and there was a thick cloud layer as we were on the verge of a snow storm. There might have even been +3db of gain (carousel) added (insert Gasp here) So it was pretty much the darkest exterior I have ever shot. Also, most of the footage was shot at 1/120th ie 60p to display that ability. I'm waiting for it to stop raining/snowing shoot some high speed 1/250 and 1/500 running action stuff to further show how fun that can be with a static adapter (no moving screen = no grain at high shutter speeds) And of course you will ask the question I cannot pull directly from my brain which is what is the Z level on the HVX. I'm not a fan of shooting from the hip when it comes to specs like this... but I will say it's in the 50's. Z56 maybe? I don't have a definitive number mainly because this demo was shot without a 24x36mm mask so I remember not taking a firm note of that. Either way the zoom is pretty close to the 24x36mm frame. All the lenses were at 2.8 and the only lens that has a bit of optical vignetting was the 14mm (ecu of foot running in frame). I ran some film and DSLR tests with the 14mm to see if it made a difference and it still had vignetting regardless. Kind of hard with a 14mm corrected lens, even at a $1400.
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I'm cutting together some 1080 24P footage that I shot on my A1 that I will post as soon as I get a rough of it. Keep posted. Thanks!
HAHAHAHAHAHA
I guess the real discussion will start around 3 hours from now.
I won't know how big a beat down my bandwidth will be taking until early tomorrow morning....rogar-Shock(DBG):