starmanric
Active member
Could the af100 electronics be upgraded via firmware to sony f700 specs?
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Of course not. Just like an FS100 couldn't be upgraded by firmware into being an FS700.
How do you know that's possible?Such as 120fps at 720p - even if just in burst mode. That is possible with the existing hardware.
They cannot. It is not possible, with the hardware that's in the camera. It would require a hardware change, which is why the similar AC160 and AC130 need to be shipped back to Panasonic for a hardware change to add the magnified focus assist.Also, they could put the 1:1 zoom on the monitor if they wanted.
I don't doubt that they could. They already encode 35mbps when you put the camera in 60fps overcrank mode. But to do it for regular recording would violate the AVCHD standard, and so far they haven't shown any interest in making it nonstandard.And if they could bump up the bitrate to 28mbps, im sure they could do it for all the capture options, and probably push it to 35mbps - if they wanted to.
You can already get that and much much more without having to wait for firmware, just get a Hyperdeck Shuttle 2. For $345 you get 220mbps of 4:2:2 DNxHD, or 1.5gbps of true uncompressed. No need to wait for firmware, it's already available.NOW that is a firmware update I would buy and I'm sure most other people would too.
You can already get that and much much more without having to wait for firmware, just get a Hyperdeck Shuttle 2. For $345 you get 220mbps of 4:2:2 DNxHD, or 1.5gbps of true uncompressed. No need to wait for firmware, it's already available.
Such as 120fps at 720p - even if just in burst mode. That is possible with the existing hardware.
And barry - unless you are a programmer/hardware specialist at panasonic you shouldn't be so sure about what they can or can't do.
Or just shoot in 720p, and record audio live. That's the way I'd go in this scenario.I'm directing a short next week which transitions from 24fps to 60fps (in post) in one continuous scene. It will be shot, of course, at 60fps but the problem I face is that I NEED audio during the 24fps segment and am forced to use ghost sound from another track and perhaps add ADR in post.
It's the same decision they've been making since at least 2005, and the same decision that every other manufacturer makes (as far as I know).The decisions to not have sound in overcrank (yes I'm aware of the sync issues) seems arbitrary.
Others could argue that putting nonstandard codecs on a supposedly standardized broadcast-division camera would be foolish.The decision to limit AF100 SCHC capture to a delivery codec seems foolish.
I would certainly question that. It MAY be possible, but it certainly isn't definite that ANY chip can do that.A chip desinger friend at motorolla told me "any chip that can code '120 at 60' can code '240 at 30'" as a matter of mathematic fact.
Would you be happy with 120fps at only 540 res? Well, actually I guess we already have the answer to that, that pretty much looks like what the FS700 does and everyone seems gaga for it, so ... hopefully they will listen and provide such a feature if it's possible.If the memory buffers and coding hardware can handle 60 fps at 1080 it should be able to handle 120fps at 540.
Yours is a reasonable statement. I was a programmer, and have met and spent substantial time with the engineers at Panasonic, and have discussed these types of issues with them extensively, and I feel like I have a pretty good handle on what they are saying is possible and what isn't. Which is why I ask why someone would think it was possible, when they almost assuredly haven't invested the time and effort into it that I have. A lot of people seem to think that "anything" is possible with hardware, and that's just not so.And barry - unless you are a programmer/hardware specialist at panasonic you shouldn't be so sure about what they can or can't do.
Well, that should be obvious -- that's every hardware manufacturer's goal. Even Red makes money from the sales of hardware, they certainly don't make the best possible equipment with all possible features at rock-bottom prices.Their goal is money from sales of hardware. not making the best possible equipment with all the features at rock bottom prices
.... and from what I have seen, it has been a road with a lot of potholes.
I think as a group we have to get over the concept of "everything is possible with a firmware update",.......
Or just shoot in 720p, and record audio live. That's the way I'd go in this scenario.
It's the same decision they've been making since at least 2005, and the same decision that every other manufacturer makes (as far as I know).
Others could argue that putting nonstandard codecs on a supposedly standardized broadcast-division camera would be foolish.
Hey, I'd like more too, I'm not telling you you're wrong, but I am trying to explain the whys of the decision-making process as best I understand them.
T There is talk that all the Zeiss CP.2 lenses are actually super compact 18-180 zooms, but they lock the firmware to hold at one prime value.
That's what they want you to think. Everything is possible with firmware. ... Zeiss CP.2 lenses are actually super compact 18-180 zooms, but they lock the firmware to hold at one prime value...
With it so easy to inadvertently pop into VFR mode I just don't understand how recording sound as well is such an intractable option option.
Yes, yes I understand it's been since 2005. But don't we think it's time for a change?