The Sarlacc
Well-known member
jeffyjones said:Final Cut Pro Pro?
I don't see any reason why Apple would ever introduce a more expensive version of FCP. There's no incentive to do so.
You don't???
A true Avid fighter. That's why.
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jeffyjones said:Final Cut Pro Pro?
I don't see any reason why Apple would ever introduce a more expensive version of FCP. There's no incentive to do so.
myfriendimage said:hahahaha it is called Final Cut PRO
The Sarlacc said:You don't???
A true Avid fighter. That's why.
aquafox said:Why is native MXF editing such a big deal? I thought the Quicktime wrapping didn't do anything to the quality.
mcgeedigital said:Unless they fix thier media management Avid will not be losing any sleep.
And yes I have both.
FCP is steadily gaining ground.The Sarlacc said:...as much as I love FCP...it has never really been a real avid fighter, not in the professional filmmaking world.
R Gale said:FCP is steadily gaining ground.
the list of features cut on FCP grows longer each day:
Cold Mountain, George Washington, Gunner Palace, Intolerable Cruelty, Napoleon Dynamite, Spellbound, Super-Size Me
Open Water, The Rules of Attraction
Sky Captain and the World of Tomorrow, The Ladykillers, Corpse Bride, Jarhead
Dreamer, etc etc. ...(list from wikipedia)
Avid is gradually losing ground... In a very smart move, Apple's making sure FCP is in most of the schools & film schools, offering big academic discounts.
Most of the filmmakers of tomorrow will have gotten their start with FCP...
One better is the fact that you can even upgrade/crossgrade the ACADEMIC versions of those apps, too, for $199, and get the FULL retail version of Final Cut Studio 5.1.R Gale said:If you can get your hands on an individual Soundtrack Pro, or Motion 2, or DVD studio 4 (try eBay) you can then upgrade to the full suite for $199. Would still be a lot cheaper than retail. ($1,300)![]()
The Sarlacc said:My hope is the rumors of "Extreme" are true, and it does give apple that winning blow.
Really? Man that IS a good deal!unfiltered said:One better is the fact that you can even upgrade/crossgrade the ACADEMIC versions of those apps, too, for $199, and get the FULL retail version of Final Cut Studio 5.1.
Yeah, I had to double check the fine print to be sure. This has caused the academic versions of Soundtrack Pro, DVD Studio Pro 4, and Motion 2 on eBay to go for 25-50% more than what they originally sold for.R Gale said:I agree. (never saw George Washington... I should check it out. btw, I read about the Cold Mountain editing experience in this excellent book)
I'm just happy that P2 works as good as it does in FCP. Everything is so new... I hope the new Universal FCP isn't too buggy, 'cause I just ordered the upgrade...
Really? Man that IS a good deal!rogar-BigGrin(DBG)
You're not answering the question. Why does Apple need to sell a six-figure plus version of FCP to compete with any Avid product? There are already a limited number of feature films being cut on it, so how does a higher priced version make them more "competitive" with Avid? What do they really need to offer that they don't already (besides media management, which frankly I don't think is all that great in Avid either), and why should it cost more?The Sarlacc said:You don't???
A true Avid fighter. That's why.
unfiltered said:One better is the fact that you can even upgrade/crossgrade the ACADEMIC versions of those apps, too, for $199, and get the FULL retail version of Final Cut Studio 5.1.
jeffyjones said:You're not answering the question. Why does Apple need to sell a six-figure plus version of FCP to compete with any Avid product? There are already a limited number of feature films being cut on it, so how does a higher priced version make them more "competitive" with Avid? What do they really need to offer that they don't already (besides media management, which frankly I don't think is all that great in Avid either), and why should it cost more?
jeffyjones said:You're not answering the question. Why does Apple need to sell a six-figure plus version of FCP to compete with any Avid product? There are already a limited number of feature films being cut on it, so how does a higher priced version make them more "competitive" with Avid? What do they really need to offer that they don't already (besides media management, which frankly I don't think is all that great in Avid either), and why should it cost more?
jessecoane said:Walter murch did use FCP on his next feature "Jarhead"
jesse
mcgeedigital said:You can't edit 2k and 4k images in REAL TIME on an Avid. Supposedly the Extreme version of FCPro can.