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mikkowilson said:I agree with xander.
I think one of the big reamingin questions after all that is:
Can the HVX200 record Directly to a external USB/Firewire Hard drive. Or do you have to record to P2 first, and only then copy out form the camera? (If this is the case, can you perform a copy while recording on the other card?)
- Mikko.
Canon hasn't played yet. How can they be counted out when they haven't even been counted in? I guess it is for the consumer to decide, give me true HD or give me death!Barry Green and Jarred Land from the HVX article said:...based on the features we’ve seen on paper, the consumer may very well say “The camcorder wars are over. Sony, JVC, Canon, thank you for playing.”
That depends on your hard drive or laptop. The card is capable of delivering 80 megabytes per second, which would be 16x realtime for 720/24p, or 6x realtime for 1080p/1080i or 720/60p. But if you're transferring over USB2, you'll be capped to a max of 480mbps, and then it's all up to your drive. If you're writing to a slow hard disk, that'll be the bottleneck.Zig_Zigman said:Has it been mentioned how long it takes to offload a p2 card full of data to a hard drive or a laptop?
Oh, most definitely. You could do it with a 4gb card as well. I'd think 3 cards is the number you'd need for a seamless workflow (i.e., never having to stop the camera to transfer files) but you could totally work in narrative with just one card, and either hand it to someone to transfer on a laptop, or have an assistant who plugs in a hard drive and offloads the card whenever it's full. Even at the P2 Store speed of one minute per gig, it'd only take 8 minutes to offload a full card, and it takes a lot more than 8 minutes to set up a new shot!If it's under 5 minutes, you could almost get by shooting narrative with 1 8g card. Shoot 5 - 10 takes, break for another shot, and while setting up you could offload the p2 card.
Obviously not ideal, you'd probably want 3 or 4 cards, but hey, you could make it work.
That's up to the guys who design them. Look for people like VariZoom and Bogen and Zoe, they'll all likely be making them.mikkowilson said:any idea about how the focus and irs remotes will work? will it be a pot that adjusts the position at a variable speed (like a zoom zontroler?) or will be be a "focus demand" type where the position of the pot will determin an exact, repeatable position?
There will definitely be more control than just those three, but they didn't give us a list of what the exact framerates would be. It'll be more like the VariCam than just three frame rates.Oh yeah, and any word on variable framerates? is it just the 3 presets, or is there more control?