CPU - Jeremy Hyler aka Spidey

seems like you combined the two scotts in a pretty good way:

blade runner style with domino-editing...and i think you are right, man on fire was a beauty to watch
 
just remebered something:

the slide-and-shoot shot was one of the coolest things i´ve seen recently...did you come up with that ?
 
i came up with it on the spot with matt. the floor was complete hardwood and old. and it was smoooooth. so i was like lets get it. so we shot it that way. i think it adds to the cockiness to the character. then he finds out he messed up.
 
Hi Everyone, Chris (composer) here. I just saw this film, and wow, great stuff! I'm really impressed..great work all round. Loved the directing and editing especially. There were some really great acting moments, love the side chase scene too...awesome work.

I am really happy to have written some music for this film.



-Chris
 
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Damn Spidey.
Impressive.
I hate to admit - never having seen any of your work, I didn't think I was going to see something at this level -

I don't mean that as a slam - it was a bad assumption on my part.
I was incredibly pleasantly surprised.

Damn good work.
 
Spidey...

There are twenty-six letter keys on my keyboard...
there is also a space bar and an enter button.
I am fumbling around right now, trying to find the right combination of keystrokes to form a written message that would, in turn, convey even a fraction of the respect that I have for you right now.

I just saw your film.
Holy poo poo, my man.
I am a writer who is now at a loss for words.

You just shot a hole in one IMO.
Technically everything clicked (hell, I didn't even notice most of the shots themselves.)
You really created a fascinating world and brought it to life.

As of right now, you are my favorite to win.

:beer:Cheers on an incredible job
 
Too many comments. I'm getting lazy at this point as I am trying to give comments/criticism on all the shorts, so forgive me if I repeat a lot of things that have already been mentioned.

I thought this was a really slick, stylized piece. Reminded me of Darren Aronofsky's work. Loved the constant variations in color tinting. I also really liked the makeup work on Bart. Gave the character a lot of depth. Also helped that he was an awesome actor.

I guess my only real criticism was that it was a really highly compressed WMV. Would like to see it again at a better quality.
 
Luis Caffesse said:
Damn Spidey.
Impressive.
I hate to admit - never having seen any of your work, I didn't think I was going to see something at this level -

I don't mean that as a slam - it was a bad assumption on my part.
I was incredibly pleasantly surprised.

Damn good work.


don't worry! It's been part of my life for a while. i dunno if its the age thing or what. and if you saw me in person i look like im 15. So i don't know. But i'm glad you liked it. :)
 
CallaghanFilms said:
Spidey...

There are twenty-six letter keys on my keyboard...
there is also a space bar and an enter button.
I am fumbling around right now, trying to find the right combination of keystrokes to form a written message that would, in turn, convey even a fraction of the respect that I have for you right now.

I just saw your film.
Holy poo poo, my man.
I am a writer who is now at a loss for words.

You just shot a hole in one IMO.
Technically everything clicked (hell, I didn't even notice most of the shots themselves.)
You really created a fascinating world and brought it to life.

As of right now, you are my favorite to win.

:beer:Cheers on an incredible job

Hey Callaghan! I appericated those kind words. You being at a lost of words makes me lost for words. I hope to keep doing that to you in later projects. :)
 
angrynerdrock07 said:
Too many comments. I'm getting lazy at this point as I am trying to give comments/criticism on all the shorts, so forgive me if I repeat a lot of things that have already been mentioned.

I thought this was a really slick, stylized piece. Reminded me of Darren Aronofsky's work. Loved the constant variations in color tinting. I also really liked the makeup work on Bart. Gave the character a lot of depth. Also helped that he was an awesome actor.

I guess my only real criticism was that it was a really highly compressed WMV. Would like to see it again at a better quality.


Hey Angrynerdrock07, I understand commenting and watching alot of films. whooo- I'm almost done myself. You're the second to mention Darren Aronofsky.

Also The make up design was a personal thing I always wanted to do. I drew it out. then bought all the make up needed then gave it to my Make-up Artist, Joe Lissi, and he tested it out for a while then got it right.

A funny thing about make was Ben Hated contacts. I had to teach him how to wear them. eventually he got used to putting them in and he wore them all day so he could used to be before he had make up on him. he had to deal with DOP issues but I'm glad i was trying to get him used to the one eye vision for the role ahead of time instead of on the day.

Yes ben is awesome.
 
janzie said:
seems like you combined the two scotts in a pretty good way...
It was the wee small hours of the morning, and I forgot to concur with janzie in my review.

Janzie...well said!

That is exactly what Spidey did...he drew inspiration from both members of the Brothers Scott.
 
Hey Jeremy!

Just started watching the shorts. Watched yours first. Overall, very nice job. Oddly, it was exactly what I expected from you...which is good!

The two biggest drawbacks for me were:
1) lack of consitency in color correction. It lessened my believability in the world you created because it didn't have a specific look for each region or a look in general to unify it.
2) A little shoddy on the acting. A tad bit been there, done that in their deliveries and choices.

I LOVED the world you created. I believed it totally. The only thing that kept pulling me out of if was the lask of consistency as I said above. I felt like it was a self-contained piece, which is good. Ended nicely, very nicely.

Overall, I think you did a great job. Congrats! Nice movie!

Robert
 
ok this kicked ass

it really created a believable, consistant, dark, scary, evocative world that seemd ... well ... real!

And that's a gigantic accomplishment at any level but on what was presumably a shoe string budget, even more so.

I loved the look and feel of this and the acting was just top notch.

I think it should be recognized that not only did you do an above par job, you picked something very difficult to pull off. It's one thing to create a consistent believable world that's cheezy and fun, but to do one that is rooted so much in the darker side of the id (and again with little resources) well its just plain harder -- it demands an authenticity and unflinching honesty both behind an infront of the camer -- in otherwords, something like NARC requires a little more digging than say Men in Black -- so when comparing films in this "competition" I just think it should be pointed out that not only is this in my top very few films, its a three pointer as a opposed to a layup. Very impressive.

Now forget all that -- I just like watchiing it. The missing eye and scar were a great detail. Good foils in the hard seasoned older cop and younger careless cop. Nice flow, building tension, great composition.

Only criticisms are small. Comb through the gray in the actors hair so it looks like it goes to the roots. The only CC that bothered me was in the chinese restaurant and it could be the compression -- there were hard levels in the diffusion - instea of fading from white to sepia to black seemlessly the gradation had hard edges like looking at a topographical map - but you pulled off a Blade Runner feel -- damn, lastly then end complication seemed a little rushed - I know that a film wants to stay slightly ahead of the audience, but that arose and was over so quickly that it felt abrupt, which pointed out that the complication or twist wasn't overly sophisticated -- not a big deal and not sure if even problematic (the twist or plot complication at end), just the abaruptness of its introduction and resolution at the end of the film made it seem a little less fullfilling than the rest of the film -- it still worked -- not saying this was one of those movies that just ends and you're like ... ok why did I watch that - what was the event - that structure felt complete here (the event) just a tad rushed.

Ok so I'me verbose and it might seem like those criticisms are a big deal to me but they are not -- its a kickass film , and those were the only nits I could pick.

Q: where can I see more of your stuff - do you have stuff online or DVD I can order?

Jack.
 
Spidey, you did an amazing job on this. Nice gritty feel. Nothing I can say that wouldn't echo what's already been said. You should be proud of this one. I was a blast to watch.
 
briceman said:
Ok, this was just weird. I felt the story was really, really shallow, and even the twist with him killing the girl was obvious. I also really did not like the amount of cursing. I mean, a small amount isn't horrid, but you have to write dialogue, not just let people swear at each other. So, I'd try to give more thought to the script and dialogue next time, and make every word mean something. I really liked the look, it was very unique. Good job!

You should have heard the orginal version. It wasn't like we really wanted it to get that raw, it just sort of developed that way. The story kinds of lends itself to it.

We even started a thread on the rating issue because of our concern of the language.
 
Blaine said:
I'm kind of amazed at how much Matthew B. Moore looks like a young Peter Stormare in your short.

Peter_Stormare.jpg


You are freaking me out.
 
Well done. One of the top two shorts in the fest. A more challenging short than most, but you really rose to those challenges: performances were authentic and interesting, great shots and well edited. A real story. And visually innovative. Congrats.
 
Im blinded by the silicon implant frames!!!
I loved the color changes but the style changes from clear to almost cartooned bothered me. It makes it feel like you are missing something you might want to see in the background or something. The cast was well done I thought. Very natural dialog but I hated the amount of Voice ever. Just a tad here and there would have worked better I think. I couldnt hear some of it either. I really liked the skid he did right before he shot her. That edit was tight. The ending failed for me I thought. Maybe if he just sat up and said "oh sh!t, the bullet in her head", and then the line "did I tell you we are fcked" or what ever it was might be a little stronger? Just a thought.
Good job on this dude, I enjoyed it.
 
Ought2bCommitted said:
Hey Jeremy!

Just started watching the shorts. Watched yours first. Overall, very nice job. Oddly, it was exactly what I expected from you...which is good!

The two biggest drawbacks for me were:
1) lack of consitency in color correction. It lessened my believability in the world you created because it didn't have a specific look for each region or a look in general to unify it.
2) A little shoddy on the acting. A tad bit been there, done that in their deliveries and choices.

I LOVED the world you created. I believed it totally. The only thing that kept pulling me out of if was the lask of consistency as I said above. I felt like it was a self-contained piece, which is good. Ended nicely, very nicely.

Overall, I think you did a great job. Congrats! Nice movie!

Robert

thanks man glad to hear you enjoyed it.
 
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